The Miracle of Analogy

Kaja Silverman is Keith L. and Katherine Sachs Professor of Contemporary Art at the University of Pennsylvania. She is the author, most recently, of Flesh of My Flesh (SUP, 2009).

出版者:Stanford University Press

作者:Kaja Silverman

页数:240

出版时间:2015-3-4

价格:USD 21.95

装帧:Paperback

isbn号码:9780804793995

图书标签:photographyKaja_Silverman艺术史艺术史书单摄影性别研究vcTheory

The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring."

Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere.

The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Key figures discussed along the way include Nicéphore Niépce, Louis Daguerre, William Fox-Talbot, Jeff Wall, and Joan Fontcuberta.

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我全都看到了，时间的奇迹轻易地击碎了图像

我全都看到了，时间的奇迹轻易地击碎了图像

我全都看到了，时间的奇迹轻易地击碎了图像

我全都看到了，时间的奇迹轻易地击碎了图像