Initially produced as the catalog to accompany a controversial and groundbreaking 1932 Museum of Modern Art show of the then new architecture emerging in Europe and America, The International Style quickly became the definitive statement of the principles underlying the work of such giants as Mies van der Rohe, Le Corbusier, Walter Gropius, and other pioneers. It might be said that Henry-Russell Hitchcock and Philip Johnson discovered as well as defined "the International Style," and over the decades their book has served as both a flashpoint for criticism and a frame for growth in the architectural profession. It has never been out of print in over sixty years. This new edition has been completely redesigned and reset, and it features a new foreword by Philip Johnson, who reflects on the legacy of the International Style and examines the still-precarious power of architecture in our public life.
First, I have to say the statements in the book of Henri-Russell Hitchcock may have been substantial in certain context of the history. But a lot of concrete principles, once considered as progressive have become dogma today. So what I am trying to do right...
评分First, I have to say the statements in the book of Henri-Russell Hitchcock may have been substantial in certain context of the history. But a lot of concrete principles, once considered as progressive have become dogma today. So what I am trying to do right...
评分First, I have to say the statements in the book of Henri-Russell Hitchcock may have been substantial in certain context of the history. But a lot of concrete principles, once considered as progressive have become dogma today. So what I am trying to do right...
评分First, I have to say the statements in the book of Henri-Russell Hitchcock may have been substantial in certain context of the history. But a lot of concrete principles, once considered as progressive have become dogma today. So what I am trying to do right...
评分First, I have to say the statements in the book of Henri-Russell Hitchcock may have been substantial in certain context of the history. But a lot of concrete principles, once considered as progressive have become dogma today. So what I am trying to do right...
老是说虽然国际主义有很多要求,但是当中建筑师仍然有自己的自由去追求艺术,现在怎么听起来像个阉人在不停地假高潮啊!?
评分虽然里面的内容有点太过局限,让我真的不愿彻头彻尾的认同,但是这真心才叫现代建筑的入门书目没有之一
评分现代主义意识形态的根儿
评分老是说虽然国际主义有很多要求,但是当中建筑师仍然有自己的自由去追求艺术,现在怎么听起来像个阉人在不停地假高潮啊!?
评分Go International Style
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