The End of Cinema? 2024 pdf epub mobi 电子书

☆☆☆☆☆
简体网页||繁体网页

The End of Cinema? 2024 pdf epub mobi 电子书著者简介

The End of Cinema? 电子书图书目录

下载链接在页面底部

点击这里下载

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 复制链接

想要找书就要到本本书屋

onlinetoolsland.com

立刻按 ctrl+D收藏本页

你会得到大惊喜!!

发表于2024-11-10

The End of Cinema? 2024 pdf epub mobi 电子书

喜欢 The End of Cinema? 电子书的读者还喜欢

The End of Cinema? 电子书读后感

评分☆☆☆☆☆

类似图书点击查看全场最低价

出版者:Columbia University Press

作者:André Gaudreault

出品人:

页数:0

译者:Timothy Barnard

出版时间:2015

价格:0

装帧:

isbn号码:9780231173575

丛书系列:

图书标签: 电影 Cinema 英文电影媒介理论文化媒介 MediaStudies

The End of Cinema? 2024 pdf epub mobi 电子书图书描述

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.

The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

The End of Cinema? 2024 pdf epub mobi 电子书

想要找书就要到本本书屋

onlinetoolsland.com

立刻按 ctrl+D收藏本页

你会得到大惊喜!!

The End of Cinema? 2024 pdf epub mobi 用户评价

评分☆☆☆☆☆

水分太多，作者很擅长名词创造。说到底，电影数字化带来的问题就三个（或两个）：影像本体论焦虑（recording与encoding之争），制作（基本源出本体论焦虑），跨媒介观看。本体论焦虑虽于古有征，但数字时代的君临使一切都加速了，这种加速还使上个世代纠缠不休的问题突然失效或不那么有意义了（很难想象J·Aumont这些乡愁派会退守到要通过对影院的赋魅来维护胶片电影）。媒介二重生（技术发明与历史文化语境中的体制）的模式颇有效力，调和McLuhan和R·Williams既视感；而电子时代则打开了电影the third birth的机缘，使其重新回到体制化未完成时那种媒介融合和互动的状态中。最后提出animation是电影的anima，电影是动画的亚种而非相反（其实也就是自足于建构性）。

评分☆☆☆☆☆

综述部分详细，不过为什么要争夺叙事艺术的媒介霸权？为什么要纠缠媒介身份是不是特效？复杂化了机械再造的概念，全球的修复专家都不能从感官上区分数字与胶片的影像。第四章有趣，讲了拍摄(filming)与录制(recording)的区别，归结到德国哲学中的扬弃(Aufhebung)。“媒介的两次诞生”，一次建构(constitute)，另一次体制(institute)。

评分☆☆☆☆☆

The End of Cinema? 2024 pdf epub mobi 电子书