Timberland: The wooden structures of the 21st century
Not so very long ago, some might have considered wood a material of the past, long since replaced by more modern components such as concrete and steel. The truth is radically different. Bolstered by new manufacturing techniques and ecological benefits, wood has seen a fabulous resurgence in contemporary construction.
This double-volume survey explores how architects around the world have created and invented with this elementary material. Featuring follies, very large buildings, and ambitious urban renewal schemes, it celebrates the diverse deployment of wood from architects in China, Chile, and everywhere in between. We see how wood can at once transform urban spaces, as in the Metropol Parasol in Seville by Jürgen Mayer H, and allow for sensitive interventions in natural environments, as at the Finnish Forest Research Institute by SARC Architects, or the Termas Geométricas Hot Springs Complex by Germán del Sol.
True to all TASCHEN architecture tomes, the book pays tribute to many emerging international talents, as well as to such renowned figures as Tadao Ando to Renzo Piano. It celebrates each of these architect’s vision and innovation, as well as investigating the techniques, trends, and principles that have informed their work with wood. It examines the computer guided milling that has allowed for novel new forms, the responsible harvesting that allows wood to align with our environmental concerns, and, above all, wood’s enduring appeal to our senses and our psyche, comforting hectic modern lives with a sense of Arcadian beauty and simplicity.
Text in English, French, and German
編者是Philip Jodidio,哈佛畢業,藝術史背景,據說上一輪編的Taschen係列的書是Architecture Now! 係列及安藤,福斯特的。 選擇的案例似乎力求在地域上做到雨露均沾。其中有案例在我看來完全和木建築沒什麼關係,就掛瞭一層木格裝飾。2015年齣版的書收錄瞭阪茂06年的蓬皮杜中...
評分編者是Philip Jodidio,哈佛畢業,藝術史背景,據說上一輪編的Taschen係列的書是Architecture Now! 係列及安藤,福斯特的。 選擇的案例似乎力求在地域上做到雨露均沾。其中有案例在我看來完全和木建築沒什麼關係,就掛瞭一層木格裝飾。2015年齣版的書收錄瞭阪茂06年的蓬皮杜中...
評分編者是Philip Jodidio,哈佛畢業,藝術史背景,據說上一輪編的Taschen係列的書是Architecture Now! 係列及安藤,福斯特的。 選擇的案例似乎力求在地域上做到雨露均沾。其中有案例在我看來完全和木建築沒什麼關係,就掛瞭一層木格裝飾。2015年齣版的書收錄瞭阪茂06年的蓬皮杜中...
評分編者是Philip Jodidio,哈佛畢業,藝術史背景,據說上一輪編的Taschen係列的書是Architecture Now! 係列及安藤,福斯特的。 選擇的案例似乎力求在地域上做到雨露均沾。其中有案例在我看來完全和木建築沒什麼關係,就掛瞭一層木格裝飾。2015年齣版的書收錄瞭阪茂06年的蓬皮杜中...
評分編者是Philip Jodidio,哈佛畢業,藝術史背景,據說上一輪編的Taschen係列的書是Architecture Now! 係列及安藤,福斯特的。 選擇的案例似乎力求在地域上做到雨露均沾。其中有案例在我看來完全和木建築沒什麼關係,就掛瞭一層木格裝飾。2015年齣版的書收錄瞭阪茂06年的蓬皮杜中...
收的東西質量不高…比我知道的還少…這就不對瞭……
评分收的東西質量不高…比我知道的還少…這就不對瞭……
评分收的東西質量不高…比我知道的還少…這就不對瞭……
评分收的東西質量不高…比我知道的還少…這就不對瞭……
评分收的東西質量不高…比我知道的還少…這就不對瞭……
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