Economy, Emotion, and Ethics in Chinese Cinema

出版者:Routledge

作者:David Leiwei Li

页数:246

出版时间:2016-3-2

价格:USD 155.00

装帧:Hardcover

isbn号码:9781138120969

图书标签:电影theoryFilm_studiesFilm_StudiesChinese_studiesVisualCulture

The First and Second Comings of capitalism are conceptual shorthands used to capture the radical changes in global geopolitics from the Opium War to the end of the Cold War and beyond. Centring the role of capitalism in the Chinese everyday, the framework can be employed to comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular.

This book investigates major Chinese-language films from mainland China, Taiwan, and Hong Kong in order to unpack a hyper-compressed capitalist modernity with distinctive Chinese characteristics. As a dialogue between the film genre as a mediation of microscopic social life, and the narrative of economic development as a macroscopic political abstraction, it engages the two otherwise remotely related worlds, illustrating how the State and the Subject are reconstituted cinematically in late capitalism. A deeply cultural, determinedly historical, and deliberately interdisciplinary study, it approaches "culture" anthropologically, as a way of life emanating from the everyday, and aesthetically, as imaginative forms and creative expressions.

Economy, Emotion, and Ethics in Chinese Cinema will appeal to students and scholars of Chinese cinema, cultural studies, Asian studies, and interdisciplinary studies of politics and culture.

读后感

一直觉得讲中国电影的，张英进也好，鲁晓鹏也好，都既不engage理论，又不会谈form。这本书绝对是本脑洞大开的谈中国电影的书。它虽然也不是一个formalist research，仅仅是用formalist analysis来支持作者强大的理论架构。主要argument就是The second coming of capitalism不仅...

一直觉得讲中国电影的，张英进也好，鲁晓鹏也好，都既不engage理论，又不会谈form。这本书绝对是本脑洞大开的谈中国电影的书。它虽然也不是一个formalist research，仅仅是用formalist analysis来支持作者强大的理论架构。主要argument就是The second coming of capitalism不仅...

一直觉得讲中国电影的，张英进也好，鲁晓鹏也好，都既不engage理论，又不会谈form。这本书绝对是本脑洞大开的谈中国电影的书。它虽然也不是一个formalist research，仅仅是用formalist analysis来支持作者强大的理论架构。主要argument就是The second coming of capitalism不仅...

一直觉得讲中国电影的，张英进也好，鲁晓鹏也好，都既不engage理论，又不会谈form。这本书绝对是本脑洞大开的谈中国电影的书。它虽然也不是一个formalist research，仅仅是用formalist analysis来支持作者强大的理论架构。主要argument就是The second coming of capitalism不仅...

一直觉得讲中国电影的，张英进也好，鲁晓鹏也好，都既不engage理论，又不会谈form。这本书绝对是本脑洞大开的谈中国电影的书。它虽然也不是一个formalist research，仅仅是用formalist analysis来支持作者强大的理论架构。主要argument就是The second coming of capitalism不仅...