Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.
Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.
Margaret Atwood currently lives in Toronto with writer Graeme Gibson.
Associations: Margaret Atwood was President of the Writers' Union of Canada from May 1981 to May 1982, and was President of International P.E.N., Canadian Centre (English Speaking) from 1984-1986. She and Graeme Gibson are the Joint Honourary Presidents of the Rare Bird Society within BirdLife International. Ms. Atwood is also a current Vice-President of PEN International.
In Margaret Atwood's stunning new collection of stories, her first since her #1 nationally bestselling 2006 collection, Moral Disorder, she returns to the here and now in this brilliant, new collection of stories.
In these nine dazzlingly inventive and rewarding stories, Margaret Atwood's signature dark humour, playfulness, and deadly seriousness are in abundance. In "Freeze-Dried Bridegroom," a man who bids on a storage locker has a surprise. In "Lusus Naturae," a woman with a genetic abnormality is mistaken for a vampire. In "I Dream of Zenia with the Bright Red Teeth," we remeet Tony, Charis, and Roz from The Robber Bride, but, years later, as their nemesis is seen in an unexpected form. In "Torching the Dusties," an elderly lady with Charles Bonnet's syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. In "Stone Mattress," a long-ago crime is revenged in the Arctic. This is classic Margaret Atwood, and she is at the very top of her form.
發表於2024-11-22
Stone Mattress 2024 pdf epub mobi 電子書 下載
咒語始於一場暴風雪 亡者在幻境中吐露真言 枯竭的詩人不過是故事的注腳 (他在酒桶中永生) 黑發黑眼的女獵手並未贏得桂冠 (石巢封印 毒蜂噬心) 所有人終將老去 除瞭毛皮茂密、指甲血紅的少女 (她在滿月之夜及時墜入火海) 誘惑與安慰 都來源於妄想 化作黑寡婦、斑點狗 ...
評分終於看完英文版的!(不過好像就是其中一個故事而已) 生詞太多 查完看完覺得還是值得的 喜歡這種人性剖析的作品 看完之後 覺得女主其實很可憐 因為14歲時的悲劇遭遇 完全變成瞭一個偏執而可怕的人 殺死有罪的人在她心裏是正義的 可是她又是痛苦的 每一任丈夫的死亡或多或少都和她...
評分終於看完英文版的!(不過好像就是其中一個故事而已) 生詞太多 查完看完覺得還是值得的 喜歡這種人性剖析的作品 看完之後 覺得女主其實很可憐 因為14歲時的悲劇遭遇 完全變成瞭一個偏執而可怕的人 殺死有罪的人在她心裏是正義的 可是她又是痛苦的 每一任丈夫的死亡或多或少都和她...
評分咒語始於一場暴風雪 亡者在幻境中吐露真言 枯竭的詩人不過是故事的注腳 (他在酒桶中永生) 黑發黑眼的女獵手並未贏得桂冠 (石巢封印 毒蜂噬心) 所有人終將老去 除瞭毛皮茂密、指甲血紅的少女 (她在滿月之夜及時墜入火海) 誘惑與安慰 都來源於妄想 化作黑寡婦、斑點狗 ...
評分咒語始於一場暴風雪 亡者在幻境中吐露真言 枯竭的詩人不過是故事的注腳 (他在酒桶中永生) 黑發黑眼的女獵手並未贏得桂冠 (石巢封印 毒蜂噬心) 所有人終將老去 除瞭毛皮茂密、指甲血紅的少女 (她在滿月之夜及時墜入火海) 誘惑與安慰 都來源於妄想 化作黑寡婦、斑點狗 ...
圖書標籤: 英文原版 短篇小說 加拿大 Margaret-Atwood Gothic
我猜想年歲已高的Atwood應該是對衰老、時間流逝有越來越深的體會,所以aging纔會成為14年這本最新短篇集非常醒目的主題,九個故事裏就有七則是描寫老人的生活。頭三篇是從三個視角講述三位老人跨越幾十年情感糾葛的“三聯體”,以兩個受傷害女人的和解收尾;同屬探討情感關係的還有"The Dead Hand Loves You",結局竟意外地暖心。這本書的副標題和作者的後記都特彆強調說這是九則"tales",因為'story"可能確有其事,而"short story"作為已經固定的文學類型又帶有濃重的現實主義味道,隻有"tale"這個詞更容易讓人聯想到傳說、童話、神話等更自由寬泛的純粹故事,這一元素在集子裏也很明顯。第四五兩篇帶有濃重的哥特風格,其他故事裏也穿插大量的幻想元素,與情節發展緊密相關。
評分我猜想年歲已高的Atwood應該是對衰老、時間流逝有越來越深的體會,所以aging纔會成為14年這本最新短篇集非常醒目的主題,九個故事裏就有七則是描寫老人的生活。頭三篇是從三個視角講述三位老人跨越幾十年情感糾葛的“三聯體”,以兩個受傷害女人的和解收尾;同屬探討情感關係的還有"The Dead Hand Loves You",結局竟意外地暖心。這本書的副標題和作者的後記都特彆強調說這是九則"tales",因為'story"可能確有其事,而"short story"作為已經固定的文學類型又帶有濃重的現實主義味道,隻有"tale"這個詞更容易讓人聯想到傳說、童話、神話等更自由寬泛的純粹故事,這一元素在集子裏也很明顯。第四五兩篇帶有濃重的哥特風格,其他故事裏也穿插大量的幻想元素,與情節發展緊密相關。
評分#Lusus Naturae# ‘I became an apparition ; I was a red-nailed hand touching a face in the moonlight; I was the sound of a rusted hinge.’ What a “Freak of nature”. Is it the way a thing not a person?
評分#Lusus Naturae# ‘I became an apparition ; I was a red-nailed hand touching a face in the moonlight; I was the sound of a rusted hinge.’ What a “Freak of nature”. Is it the way a thing not a person?
評分我猜想年歲已高的Atwood應該是對衰老、時間流逝有越來越深的體會,所以aging纔會成為14年這本最新短篇集非常醒目的主題,九個故事裏就有七則是描寫老人的生活。頭三篇是從三個視角講述三位老人跨越幾十年情感糾葛的“三聯體”,以兩個受傷害女人的和解收尾;同屬探討情感關係的還有"The Dead Hand Loves You",結局竟意外地暖心。這本書的副標題和作者的後記都特彆強調說這是九則"tales",因為'story"可能確有其事,而"short story"作為已經固定的文學類型又帶有濃重的現實主義味道,隻有"tale"這個詞更容易讓人聯想到傳說、童話、神話等更自由寬泛的純粹故事,這一元素在集子裏也很明顯。第四五兩篇帶有濃重的哥特風格,其他故事裏也穿插大量的幻想元素,與情節發展緊密相關。
Stone Mattress 2024 pdf epub mobi 電子書 下載