Originally published in 1943, this bestselling Turkish classic of love and longing in a changing world is available in English for the first time.
A shy young man leaves his home in rural Turkey to learn a trade in 1920s Berlin. The city's crowded streets, thriving arts scene, passionate politics and seedy cabarets provide the backdrop for a chance meeting with a woman, which will haunt him for the rest of his life. Emotionally powerful, intensely atmospheric and touchingly profound, Madonna in a Fur Coat is an unforgettable novel about new beginnings and the unfathomable nature of the human soul.
Sabahattin Ali (February 25, 1907 – April 2, 1948) was a Turkish novelist, short-story writer, poet, and journalist.
He was born in 1907 in Eğridere township (now Ardino in southern Bulgaria) of the Sanjak of Gümülcine (now Komotini in northern Greece), in the Ottoman Empire. He lived in Istanbul, Çanakkale and Edremit before he entered the School of Education in Balıkesir. Then, he was transferred to the School of Education in Istanbul, where he graduated in 1926. After serving as a teacher in Yozgat for one year, he earned a fellowship from the Ministry of National Education and studied in Germany from 1928 to 1930. When he returned to Turkey, he taught German language in high schools at Aydın and Konya.
While he was serving as a teacher in Konya, he was arrested for a poem he wrote criticizing Atatürk's policies, and accused of libelling two other journalists. Having served his sentence for several months in Konya and then in the Sinop Fortress Prison, he was released in 1933 in an amnesty granted to mark the 10th anniversary of the declaration of the Republic of Turkey. He then applied to the Ministry of National Education for permission to teach again. After proving his allegiance to Atatürk by writing the poem "Benim Aşkım" (literally: My Love or My Passion), he was assigned to the publications division at the Ministry of National Education. Sabahattin Ali married on May 16, 1935 and did his military service in 1936. He was imprisoned again and released in 1944. He also owned and edited a popular weekly newspaper called "Marko Paşa" (pronounced "Marco Pasha"), together with Aziz Nesin.
Upon his release from prison, he suffered financial troubles. His application for a passport was denied. He was killed at the Bulgarian border, probably on 1 or 2 April 1948. His body was found on June 16, 1948. It is generally believed that he was killed by Ali Ertekin, a smuggler with connections to the National Security Service, who had been paid to help him pass the border.[2] Another hypothesis is that Ertekin handed him over to the security services, and he was killed during interrogation. It is believed he was killed because of his political opinions.
Sabahattin Ali's 100th birth anniversary was celebrated in Bulgarian city Ardino in March 31, 2007. Ali is a well-known author in this country because his books have been read in schools in Bulgaria since 1950s.
穿皮大衣的瑪利亞 薩巴哈丁·阿裏/文;何嘯風/譯 在我一生中遇到的所有人裏,拉伊夫先生給我留下瞭最深刻的印象。盡管已經過去瞭好幾個月,但是我依然無法忘卻。每當我一個人待著,拉伊夫先生那張乾淨的臉龐就會浮現在我的腦海中,遠遠地望著我,好像在問候每一個路過的人。不...
評分穿皮大衣的瑪利亞 薩巴哈丁·阿裏/文;何嘯風/譯 在我一生中遇到的所有人裏,拉伊夫先生給我留下瞭最深刻的印象。盡管已經過去瞭好幾個月,但是我依然無法忘卻。每當我一個人待著,拉伊夫先生那張乾淨的臉龐就會浮現在我的腦海中,遠遠地望著我,好像在問候每一個路過的人。不...
評分穿皮大衣的瑪利亞 薩巴哈丁·阿裏/文;何嘯風/譯 在我一生中遇到的所有人裏,拉伊夫先生給我留下瞭最深刻的印象。盡管已經過去瞭好幾個月,但是我依然無法忘卻。每當我一個人待著,拉伊夫先生那張乾淨的臉龐就會浮現在我的腦海中,遠遠地望著我,好像在問候每一個路過的人。不...
評分穿皮大衣的瑪利亞 薩巴哈丁·阿裏/文;何嘯風/譯 在我一生中遇到的所有人裏,拉伊夫先生給我留下瞭最深刻的印象。盡管已經過去瞭好幾個月,但是我依然無法忘卻。每當我一個人待著,拉伊夫先生那張乾淨的臉龐就會浮現在我的腦海中,遠遠地望著我,好像在問候每一個路過的人。不...
評分穿皮大衣的瑪利亞 薩巴哈丁·阿裏/文;何嘯風/譯 在我一生中遇到的所有人裏,拉伊夫先生給我留下瞭最深刻的印象。盡管已經過去瞭好幾個月,但是我依然無法忘卻。每當我一個人待著,拉伊夫先生那張乾淨的臉龐就會浮現在我的腦海中,遠遠地望著我,好像在問候每一個路過的人。不...
我必須承認,這本書的文學性高得有些讓人望而生畏,但一旦適應瞭作者那種略帶疏離卻又極具穿透力的筆觸,你就會被它深邃的思想內涵所吸引。它探討的議題非常宏大,涉及到記憶的不可靠性、身份的建構與瓦解,以及時間流逝帶來的不可逆轉的失落感。我喜歡它那種近乎哲學思辨的探討方式,作者從不給齣簡單的答案,而是將各種可能性並置在你麵前,迫使你親自去審視和思考。書中的象徵主義運用得爐火純青,那些反復齣現的意象,比如特定的光綫、某種材質的觸感,都在不斷地加強著小說的潛颱詞。盡管情節的推進略顯緩慢,甚至在某些章節顯得有些晦澀,但這恰恰成就瞭它獨特的韻味——它要求讀者付齣專注和耐心,迴報你的將是更深層次的領悟。這是一本值得反復閱讀,每次都能從中挖掘齣新東西的佳作。
评分讀完這本書,我的第一反應是,作者對人類情感的洞察力簡直令人膽寒。這不是那種流於錶麵、用華麗辭藻堆砌的“矯情”,而是對人性深層矛盾——比如愛與疏離、真實與僞裝——進行瞭一次近乎手術刀般的精確解剖。書中的主要人物,他們的行為邏輯復雜到讓人既感到睏惑,又産生強烈的共鳴。你會發現,他們做的很多事情並非齣於惡意,而僅僅是源於一種根植於本能的、無法擺脫的自我保護機製。這種對“不完美人性”的坦誠書寫,讓這本書擁有瞭超越一般流行小說的厚度和力度。我特彆喜歡作者處理悲劇性的手法,它沒有試圖用廉價的希望來稀釋痛苦,而是讓悲劇以其本來的麵目呈現,有力而剋製,讀來震撼人心,發人深省。
评分這本新近讀完的小說,簡直是一場感官的盛宴,讓我久久無法從那種迷離的氛圍中抽離齣來。作者對於人物內心世界的描摹細緻入微,仿佛能透過文字直接觸摸到角色們最隱秘的焦慮與渴望。故事的敘事節奏把握得恰到好處,時而如涓涓細流般緩緩推進,鋪陳齣廣闊的時代背景和社會圖景;時而又像疾風驟雨般,在關鍵情節處掀起巨大的情感波瀾,讓人屏息凝神。我尤其欣賞作者在細節處理上的匠心獨運,那些看似不經意的場景、對話,實則都暗藏著推動情節發展的綫索,初讀時可能不覺醒眼,待到迴味時,纔驚嘆於其環環相扣的精妙布局。整個閱讀過程,我仿佛跟隨主角們經曆瞭一段漫長而麯摺的生命旅程,那種探索自我、與命運抗爭的勇氣與掙紮,深深地觸動瞭我。這本書不僅僅是一個故事,更像是一麵鏡子,映照齣人類情感中復雜而又永恒的主題。
评分說實話,這本書的開頭花瞭我不少時間纔真正進入狀態。它的開篇沒有傳統小說那種抓住眼球的衝突或者強烈的戲劇性,而是鋪陳瞭一種非常內斂、甚至有些壓抑的日常氛圍。然而,一旦你沉浸進去,就會發現這種“慢熱”正是作者故意為之的精妙設計。它像是在為你描繪一個即將坍塌卻尚未察覺的精緻世界。角色之間的互動充滿瞭張力,那種“話未盡而意已明”的微妙之處,實在處理得太高明瞭。你不需要知道他們所有的過去,就能感受到那些未言明的曆史遺留問題是如何影響著他們的每一個決定。尤其是其中對於城市景觀的描繪,簡直可以看作是另一個活生生的角色,它的街道、建築、光影,都在無聲地訴說著那些被時間遺忘的秘密。讀完後,我感覺自己好像剛從一場漫長而真實的夢境中醒來,那種餘韻悠長,久久不散。
评分這本書最讓我驚喜的是它在敘事結構上的大膽嘗試。作者似乎完全不受綫性時間束縛的桎梏,在不同的時間維度和敘事視角之間自由穿梭,如同在編織一張巨大而復雜的網。一開始閱讀時,我甚至需要時不時地翻迴前幾頁,試圖理清“誰在何時對誰說瞭什麼”,但一旦適應瞭這種碎片化的敘事方式,我反而體會到瞭一種前所未有的閱讀樂趣——那是拼湊真相、重構曆史的參與感。它不是被動地接受故事,而是在主動地參與到故事的構建過程中。更妙的是,盡管結構如此跳躍,作者卻總能在關鍵時刻用一兩句極其精準的句子,將那些看似零散的片段牢牢地粘閤在一起,展現齣背後宏大的主題。這種對讀者智力挑戰的誠意,我非常欣賞。
评分"The pain of losing something precious--be it earthly happiness or material wealth--can be forgotten over time. But our missed opportunities never leave us, and every time they come back to haunt us, we ache. " The line powerfully captures the loss of the unrequited love. Raif and Maria, their union and separation are ultimately destined.
评分Life is a game that is only played once, and you lost. / For some time I thought Maria is the same as me, ruthless yet compassionate, but I’m wrong. / Still working on the Chinese edition.
评分Goodreads上評分最靠前的土耳其小說,也是土耳其大叔推薦的本土很受歡迎的小說。Ali很擅長描寫內心獨白,塑造這樣一個敏感內嚮,內心世界異常豐富的人物非常成功。雖然整體看來是love story,但也其實更著重於討論solitude,sharing thoughts with a soul,relationship between men and women。可是我不太喜歡結局,女主在和Raif分開之後的那段描寫太草率,雖然是因為第一視角的緣故,可是總覺得這樣的女主和那樣的男主應該擁有不一樣的故事。畢竟她Strong, proud, defiant, wild, formidable, wild。
评分As gentle as silk, as fragile as a butterfly, as profound as the sea, one of the most heartbreaking love story I read. So pity there’s no Chinese version.
评分As gentle as silk, as fragile as a butterfly, as profound as the sea, one of the most heartbreaking love story I read. So pity there’s no Chinese version.
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