From 1975 to 1979, London improvisers published the most innovative artists and musicians of their generation in the magazine Musics. Derek Bailey, Evan Parker, John Zorn, David Toop, John Russell, The Feminist Improvising Group, Bob Cobbing, ICP, Martin Davidson, Madelaine Davidson, Annabel Nicholson, Han Bennink, Eddie Prevost, David Cunningham, Steve Beresford among many, many, many others were contributors. After forty years these journals are available in a complete facsimile bound edition.

“…a blueprint for the interlinked activities we now call sound art, field recording, improv, live electronics & audio culture. it came out six times a year and ran for twenty-three gorgeous issues. The journal covered improvised and non-western music alongside performance art, reflecting the broad interests of the so-called “second generation” of London’s improvisers, and provided a convivial focus point. overlapping with London musicians’ collective (LMC), the publication first launched in Spring of 1975, with the tagline: an impromental experivisation arts magazine and a manifesto that proposed the destruction of artificial boundaries, and linked Free Jazz, the works of John Cage, and indigenous and non-European music….”