The Book of Dave

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出版者:St Martins Pr
作者:Self, Will
出品人:
頁數:495
译者:
出版時間:2007-10
價格:$ 18.02
裝幀:Pap
isbn號碼:9781596913844
叢書系列:
圖書標籤:
  • 文學
  • 英國
  • 青少年小說
  • 成長
  • 傢庭
  • 幽默
  • 末世
  • 信仰
  • 父子關係
  • 英國
  • 反烏托邦
  • 生存
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具體描述

When East End cabdriver Dave Rudman's wife takes from him his only son, Dave pens a gripping text--a compilation about everything from the environment, Arabs, and American tourists to sex, Prozac, and cabby lore--that captures all of his frustrations and anxieties about his contemporary world. Dave buries the book in his ex-wife's Hampstead backyard, intending it for his son, Carl, when he comes of age. Five hundred years later, Dave's book is found by the inhabitants of Ham, a primitive archipelago in post-apocalyptic London, where it becomes a sacred text of biblical proportions and the template for a new civilization. Only one islander, Symum, remains incredulous. But, after he is imprisoned for heresy, his son Carl must journey through the Forbidden Zone and into the terrifying heart of New London to find the only thing that will reveal the truth once and for all: a second Book of Dave that repudiates the first. "The Book of Dave" is a profound meditation upon the nature of religion and a caustic satire of contemporary life. Will Self is the acclaimed author of such books as "The Quantity Theory of Insanity," "Great Apes, "and "How the Dead Live. "He won the Geoffrey Faber Memorial Prize and was shortlisted for the Whitbread Book of the Year. Will Self lives in London. When cabdriver Dave Rudman's wife of five years deserts him for another man, taking their only child with her, he is thrown into a tailspin of doubt and discontent. Fearing his son will never know his father, Dave pens a gripping text--part memoir, part deranged philosophical treatise, and part handbook of "the Knowledge" learned by all London cab drivers. Meant for the boy when he comes of age, the book captures the frustration and anxiety of modern life. Five hundred years later, the "Book of Dave "is discovered by the inhabitants on the island of Ham, where it becomes a sacred text of biblical proportion, and its author is revered as a mighty prophet. "The first 90 pages of this book read like a cross between 'Jabberwocky' and "A Clockwork Orange." It's a devilishly catchy argot and once readers sink into it, they will find themselves wondering if the characters are traveling norf or souf . . . Like Martin Amis, with whom he's often compared, Self marries his verbal acrobatics to social critique, gamely taking on corporate culture, family law, London urban sprawl, religion, racial division and the received wisdom of women's magazines and the pub . . . You're left with the intoxication of Self's wordplay and the clarity of his visions."--Regina Marler, "Los Angeles Times""" "Fans of Self's previous edgy satires won't be disappointed with "The Book of Dave," his latest riff on the strange complexities of the modern world. Balancing stories of pained intimacies between fathers and sons, it also brilliantly caricatures the fervor of literal-minded religious fundamentalism . . . Blisteringly astute."--Geoffrey Bateman, "Rocky Mountain News ""In this tale of an embittered taxi-driver whose psychotic rantings become the creed of a blighted people hundreds of years after his death, Self unleashes his apparently boundless misanthropy on modern London, the origins of religion, and the postapocalyptic future. Dave Rudman, driven mad by divorce and ill-prescribed antidepressants, thinks he is God and writes a vitriolic screed, which he has printed on metal plates and buries in a garden. Discovered by the survivors of a catastrophic flood and adopted as a gospel, it demands the complete separation of mothers and fathers (children to spend exactly half the week with each). Switching between a narrative of Dave's unlucky life and the phonetically rendered 'Mokni' speech of his wretched followers, Self achieves an elaborate vision of vicious superstition and hopeless struggle, but his insights never quite repay the effort of engaging with his stylistic pyrotechnics."--"The New Yorker" "In "The Book of Dave," his satiric masterpiece thus far, Self proves again that with talent like his, it's never the what, but the how . . . Though his invention (often via inversion) of a future language owes an obvious debt to Russell Hoban's "Riddley Walker," Anthony Burgess's "A Clockwork Orange," and Orwell, Self spins his own brilliantly macaronic web between Now and Later . . . Self's inventiveness and control are dazzling . . . Self's novel achieves depth not by skewering organized religion, though it does so quite adroitly, but by exploring the many grids of modern despair, how we find ourselves cast adrift, and how, much like Dave, whose loneliness is unabated by the 'hateful company of his own kind, ' we fester unseen . . . A gripping, funny, and pleasurably intricate novel."--Sam Lipsyte, "Bookforum ""This searing satire maps the unraveling of London cabbie Dave Rudman's life--and the resulting "Book of Dave" he prints on metal pages and buries in his former backyard after his ex-wife cuts off visitations with his son. Meanwhile, sometime in the twenty-sixth century or beyond (dating of the period is pegged to 'the purported discovery of "The Book of Dave'"), England has entered a second Dark Age; the country, now called Ing, is broken apart by rising seas and spiritually bankrupted by the twisted teachings of Dave, which mix mad misogynistic dictates with the legendary knowledge of London streets ('the runs and the points') that the city's cabdrivers must internalize. On the former heights of Hampstead, now known as the isle of Ham, villagers live side by side with the gentle motos--walruslike creatures who talk like lisping human children, products of twenty-first-century genetic engineering. As present-day Rudman slowly reclaims his life, the future sons of Ham seek out Dave's rumored second book--the one recanting his earlier ravings and giving mummies and daddies permission to love each other again. But as Dave's ex prophetically muses, 'everyday life was made up of a series of small botched actions, which, althou

《戴夫之書》是一部引人入勝的敘事作品,它以一種獨特的方式審視瞭我們生活的本質,以及個體在錯綜復雜的世界中所扮演的角色。這本書並非一本傳統的記錄性文本,而是通過一係列精心編織的故事和觀察,深入探討瞭那些塑造我們存在的普遍性主題。 故事圍繞著一個名為戴夫的普通人展開,但他並非一個簡單的角色,而是無數個“戴夫”的集閤體。作者以一種細膩入微的筆觸,勾勒齣戴夫從童年到成年的成長軌跡,以及他在這過程中所經曆的喜悅、失落、睏惑與頓悟。這些經曆並非是驚天動地的事件,而是那些觸及每個人內心深處,我們都可能曾在相似的情境中感受過的細微情感和生活片段。 《戴夫之書》試圖揭示的是,即便是最平凡的生命,也蘊藏著無盡的深度和意義。通過戴夫的視角,讀者將被引導去重新審視自己的生活,那些被我們習以為常的日常,那些我們曾忽略的瞬間,在作者的筆下被賦予瞭新的生命和光彩。書中關於傢庭、友誼、愛情的描寫,並非流於錶麵,而是深入到情感的根源,探討瞭人際關係的微妙之處,以及這些關係如何塑造我們的身份和認知。 此外,這本書也觸及瞭社會變遷和時代發展的宏觀背景。戴夫的人生經曆與他所處的時代緊密相連,作者巧妙地將個體命運置於更廣闊的社會曆史語境中,展現瞭時代浪潮如何衝刷、改變並最終塑造著每一個普通人的生活。這種宏觀與微觀的交織,使得《戴夫之書》不僅是一部關於個人的故事,更是一部關於時代的縮影,一幅關於我們共同經曆的社會畫捲。 閱讀《戴夫之書》,仿佛是在與一位睿智的朋友進行一場深入的對話。作者的語言流暢而富有感染力,能夠輕易地將讀者帶入故事的情境之中。那些看似簡單的描寫,實則蘊含著深刻的哲理,引導讀者在平凡的生活中發現不平凡的意義,在普遍的經驗中找到獨特的共鳴。 這本書並非提供明確的答案或簡單的解決方案,而是鼓勵讀者進行自我反思和探索。它挑戰我們去質疑那些固有的觀念,去擁抱生命的復雜性,去理解人性的多麵性。通過戴夫的故事,我們或許能更好地認識自己,理解他人,並以更寬廣的胸懷去麵對生活的挑戰。 《戴夫之書》是一部值得反復品讀的作品,每一次閱讀都可能帶來新的發現和感悟。它用一種寜靜而有力的方式,提醒我們每一個生命都有其獨特的價值,每一段經曆都值得被珍視。它是一麵鏡子,映照齣我們共同的過去,也啓迪著我們對未來的思考。這本書的魅力在於它沒有刻意追求戲劇性的衝突或宏大的敘事,而是將焦點放在瞭那些最能打動人心的,關於愛、關於失去、關於成長、關於存在的真實情感和普遍體驗上。它以一種溫和而堅定的力量,邀請讀者一同踏上一段關於生命本身的探索之旅。

作者簡介

目錄資訊

讀後感

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用戶評價

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這本小說的語言風格有一種奇特的“疏離美學”,讀起來有一種冷峻的、近乎詩意的距離感。作者似乎並不急於將所有情緒一股腦地傾瀉而齣,而是通過精準、剋製的詞匯,構建齣一層薄薄的冰晶,讓你必須仔細靠近,纔能感受到下麵蘊藏的巨大能量。我尤其喜歡它對環境氛圍的描繪,那種環境描寫不僅僅是背景闆,它幾乎成為瞭一個沉默的、具有生命力的角色。無論是陰冷的霧氣、乾燥的塵土,還是某棟建築上斑駁的苔蘚,都與故事的基調和人物的心境形成瞭奇妙的共振。這種對細節的偏執,讓閱讀體驗變得異常豐滿和立體。閱讀過程中,我的腦海裏不斷地浮現齣電影般的畫麵,場景切換流暢且富有衝擊力,這無疑是作者卓越的畫麵感帶來的功勞。不過,對於習慣瞭直白敘事的讀者來說,初期可能需要稍微適應一下這種略帶晦澀的文風,但一旦度過瞭那個適應期,你就會發現自己被帶入瞭一個全新的文學維度。它要求讀者付齣注意力,但迴報是遠遠超乎預期的。這本書就像一壺需要時間溫熱的老茶,初嘗可能平淡,細品之下,迴甘悠長,層次豐富,令人久久不忘。

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這本書的結構設計堪稱精巧的迷宮,每一次自以為找到瞭齣口,都會發現自己不過是轉入瞭另一條同樣麯摺的迴廊。我尤其欣賞作者在敘事中對“信息碎片”的巧妙運用。許多重要的背景信息、人物關係的關鍵點,都不是直接告訴你,而是通過不同角色的迴憶、遺失的信件、甚至是錯誤的傳聞中被拼湊齣來。這就要求讀者必須保持高度的警惕和參與感,去扮演一個偵探的角色,將這些散落的綫索串聯起來。這種閱讀體驗是極其主動和富有創造性的,我感覺自己不是在被動接受故事,而是在與作者共同構建故事的真相。這種互動性,是很多綫性敘事作品難以比擬的優勢。而且,這本書的留白處理得非常藝術化,許多核心問題的答案被有意地懸置在那裏,沒有給齣明確的結論。這並非是作者能力不足,恰恰相反,這是一種對讀者智識的尊重——它邀請我們帶著自己的經驗和理解,去為故事的結局填補最後的色彩。讀完後,我發現自己腦海中依然在迴蕩著那些未解的疑問,而這些疑問,比任何一個明確的答案都更有價值,因為它們會持續地激發你的思考,讓你在接下來的日子裏,仍然時不時地想起書中的某個場景,並嘗試去賦予它新的意義。

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這本書的文字像一場流動的盛宴,每一次翻頁都像被捲入一個精心編織的夢境。作者的筆觸細膩入微,對於人物內心世界的刻畫簡直達到瞭令人心悸的程度。我仿佛能透過文字的縫隙,窺見那些角色靈魂深處的掙紮與渴望。故事的節奏把握得爐火純青,時而如山澗溪水般潺潺流淌,溫柔地鋪陳細節;時而又猛地加速,如同遭遇瞭突如其來的暴風雨,讓人屏息凝神,手心微微齣汗。尤其是一些關鍵的轉摺點,處理得極其高明,它們並非是生硬的突變,而是水到渠成的必然,迴味起來,纔驚覺早有無數的伏筆如蛛網般散落在前文之中,隻是當時未曾察覺。這種層層遞進的敘事技巧,極大地滿足瞭一個沉浸式閱讀愛好者的胃口。我常常在深夜裏,被某個場景或某句對白深深觸動,不得不放下書本,凝視黑暗,讓情緒慢慢沉澱。它不是那種讀完就忘的快餐文學,更像是與一位老友進行瞭一次漫長而深刻的對話,結束後,你感到自己似乎又多活瞭一段不同的人生。書中的意象運用更是獨到,那些看似尋常的物件,在作者的描摹下,瞬間被賦予瞭某種神秘的象徵意義,使得整個閱讀體驗充滿瞭探索的樂趣。這本書的結構如同一個復雜的鍾錶,每一個齒輪都咬閤得嚴絲閤縫,驅動著故事精準而有力地前行。

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我必須承認,這本書的開篇處理得相當大膽,它沒有采用傳統的“鈎子”手法來迅速抓住讀者的注意力,而是以一種近乎散文詩的筆調,緩慢地引入這個世界,甚至在前幾十頁裏,事件的推進速度可以說是極其緩慢的。這對於追求即時爽感的讀者來說,或許是一種挑戰。但正是這種慢,為後續的爆發蓄積瞭足夠的力量。作者似乎在用時間換取深度,他耐心地鋪陳人物的日常、他們的習慣、他們麵對世界的慣性反應,使得當我們真正麵對衝突時,一切顯得如此真實可信。書中對於某些特定職業或社會現象的描摹,細節翔實到令人驚嘆,我猜想作者一定做瞭極其深入的田野調查,這使得那些非虛構的片段穿插進來時,毫無違和感,反而增強瞭故事的“質感”。這種紮實的功底,讓整本書的骨架異常強健。我特彆留意到作者是如何處理情緒的宣泄點的,它們總是被安排在最意想不到的時刻,不是通過大喊大叫,而是通過一個微小的動作——比如顫抖的手指,或者不自覺的重復某個習慣性的小動作——將巨大的情感張力瞬間釋放齣來,這種“剋製之美”,是這本書最引人入勝之處之一。

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說實話,我一開始拿到這本書時,對它的期待值並不算太高,畢竟市場上同類題材的作品太多瞭,總覺得難有齣新意。然而,這本書徹底顛覆瞭我的固有印象。它的敘事視角非常靈活,時而宏大敘事,展現齣一幅波瀾壯闊的時代畫捲,將個體命運置於曆史洪流之中進行審視;時而又陡然拉近,聚焦於某一個角色最微不足道的日常瑣事,那種對“小”的關注,反而摺射齣“大”的無奈與真實。作者在構建世界觀方麵展現瞭驚人的想象力和嚴謹的邏輯性。雖然背景設定可能偏離現實,但其內部規則的自洽性無可挑剔,讓你完全信服於它所創造的那個世界。我特彆欣賞作者對待道德模糊性的處理方式,沒有簡單地將角色劃分為絕對的善與惡,每個人都有其存在的閤理性與不可告人的陰影麵,這種復雜性極大地提升瞭故事的深度和可信度。讀到後半段,我甚至開始反思自己以往對某些事件的簡單判斷,這本書像一麵鏡子,映照齣人性中那些難以言喻的灰色地帶。那些對話片段,簡直可以單獨摘錄齣來,成為哲理箴言,它們不刻意說教,隻是在人物的你來我往中自然流淌齣來,自然而然地引發讀者去思索人生的本質難題。這本書的閱讀過程,與其說是讀故事,不如說是在進行一場深刻的自我審視。

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