DAVID HERBERT LAWRENCE was born September 11, 1885 in Eastwood, Nottinghamshire. His father was a miner and his mother was a schoolteacher. In 1906 he took up a scholarship at Nottingham University to study to be a teacher. His first novel, The White Peacock, was published in 1911. Lawrence gave up teaching in 1911 due to illness. In 1912 he met and fell in love with a married woman, Frieda Weekley, and they eloped to Germany together. They were married in 1914 and spent the rest of their lives together travelling around the world. In 1915 Lawrence published The Rainbow which was banned in Great Britain for obscenity. Women in Love continues the story of the Brangwen family begun in The Rainbow and was finished by Lawrence in 1916 but not published until 1920. Another of Lawrence's most famous works, Lady Chatterley's Lover, was privately printed in Florence in 1928 but was not published in Britain until 1960, when it was the subject of an unsuccessful court case brought against it for obscenity. As well as novels, Lawrence also wrote in a variety of other genres and his poetry, criticism and travel books remain highly regarded. He was also a keen painter. D.H. Lawrence died in France on March 2, 1930.
The struggle for power at the heart of a family in conflict, the mysteries of sexual initiation, and the pain of irretrievable loss are the universal motifs with which D. H. Lawrence fashions one of the world’s most original autobiographical novels.
Gertrude Morel is a refined woman who married beneath her and has come to loathe her brutal, working-class husband. She focuses her passion instead on her two sons, who return her love and despise their father. Trouble begins when Paul Morel, a budding artist, falls in love with a young woman who seems capable of rivaling his mother for possession of his soul. In the ensuing battle, he finds his path to adulthood tragically impeded by the enduring power of his mother’s grasp. Published on the eve of World War I, SONS AND LOVERS confirmed Lawrence’s genius and inaugurated the controversy over his explicit writing about sexuality and human relationships that would follow him to the end of his career.
it hurt the boy keenly,this feeling about her that she had never had her life's fulfillment ,and his own incapability to make up to her hurt him with a sense of impotence,yet made him patiently dogged inside.it was his childish dream. ...
评分 评分爱即生活 第一,这是一本难得一见的纯粹关于爱的小说,并且专指男女之爱(如果母爱也算是一种的话)。第二,小说主要讲的是爱的付出,是无条件且不计回报的爱,而不是交互的爱。第三,看似作为故事中心的保罗并不是主人公,而是母亲、米莉安和克莱拉,因为她们才是爱的主动方。...
评分劳伦斯的《儿子与情人》中,保罗是个身体羸弱、心思细腻的孩子,对母亲有着强烈的依恋和爱。父母的关系是母亲对父亲的冷漠和厌恶,家庭关系是全部子女都跟随母亲一起厌恶父亲。 于是我们见到了惊悚的一幕:在保罗不小心踩坏了安妮的洋娃娃之后,他提出了火葬洋娃娃的建议,...
评分儿子保罗的成长是在一位苦难母亲极端的个人占有欲中蜕化的结果,母亲用爱夺走了儿子成长中的精神和肉体对象,儿子在母亲死后也被母亲的意志包裹在“沉寂中,包罗在天然的幽冥之中”,完成了自我的觉醒,这是一部在分裂意识酝酿下产生的人格完善的黑色喜剧。保罗的成长是一个渐...
我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
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