Robert Gottlieb (born April 29, 1931 in New York City, New York) is an American writer and renowned editor in the book publishing business.
Gottlieb is a graduate of Columbia University. He is perhaps best known for discovering and editing Catch-22 by the then unknown Joseph Heller. Gottlieb has been Editor-in-Chief of Simon & Schuster, Alfred A. Knopf but left in 1987 and succeeded William Shawn as editor of The New Yorker until 1992 when he was replaced by Tina Brown.
He's also been the subject of controversy involving rejecting the work of John Kennedy Toole (Pulitzer Prize winner of 'A Confederacy of Dunces"). Toole went into despair and later committed suicide in 1969.
For many years Gottlieb was associated with New York City Ballet, serving as a member of its board of directors. In this vein, he published several books by people from the dance world including Mikhail Baryshnikov and Margot Fonteyn. He also works as a dance critic for the New York Observer.
发表于2024-11-10
George Balanchine 2024 pdf epub mobi 电子书
乔治•巴兰钦 (George Balanchine, 1904-1983) 是20世纪最伟大、最具影响力的编舞家。他被誉为“美国和现代芭蕾之父”,一生总共编排了425部作品,其中还不包括编排的芭蕾歌剧和歌舞剧作品。 巴兰钦的芭蕾作品以惊人敏锐的音乐性著称,被称为“音乐芭蕾”“无情节芭蕾”或者...
评分乔治•巴兰钦 (George Balanchine, 1904-1983) 是20世纪最伟大、最具影响力的编舞家。他被誉为“美国和现代芭蕾之父”,一生总共编排了425部作品,其中还不包括编排的芭蕾歌剧和歌舞剧作品。 巴兰钦的芭蕾作品以惊人敏锐的音乐性著称,被称为“音乐芭蕾”“无情节芭蕾”或者...
评分乔治•巴兰钦 (George Balanchine, 1904-1983) 是20世纪最伟大、最具影响力的编舞家。他被誉为“美国和现代芭蕾之父”,一生总共编排了425部作品,其中还不包括编排的芭蕾歌剧和歌舞剧作品。 巴兰钦的芭蕾作品以惊人敏锐的音乐性著称,被称为“音乐芭蕾”“无情节芭蕾”或者...
评分乔治•巴兰钦 (George Balanchine, 1904-1983) 是20世纪最伟大、最具影响力的编舞家。他被誉为“美国和现代芭蕾之父”,一生总共编排了425部作品,其中还不包括编排的芭蕾歌剧和歌舞剧作品。 巴兰钦的芭蕾作品以惊人敏锐的音乐性著称,被称为“音乐芭蕾”“无情节芭蕾”或者...
评分乔治•巴兰钦 (George Balanchine, 1904-1983) 是20世纪最伟大、最具影响力的编舞家。他被誉为“美国和现代芭蕾之父”,一生总共编排了425部作品,其中还不包括编排的芭蕾歌剧和歌舞剧作品。 巴兰钦的芭蕾作品以惊人敏锐的音乐性著称,被称为“音乐芭蕾”“无情节芭蕾”或者...
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Part of the Eminent Lives Series, this biography, written by the gifted author Robert Gottlieb, will describe the life of the dynamic George Balanchine, the foremost contemporary choreographer in ballet. Timed to coincide with the 2004 centenary of the artist's birth. The life and achievement of the great choreographer who both summed up everything that proceeded him in ballet, and extended the art form into radical yet inevitable new paths. Leaving Revolutionary Russia in 1924 (he was 20), he joined Serge Diaghilev's famous Ballets Russes, where he created his first enduring masterpiece, Apollo, cementing his lifelong collaboration with Stravinsky. In 1933 he arrived in America to found a school and a company, but the company as we know it – The New York City Ballet – didn't emerge until 1948. Meanwhile, he made ballets wherever opportunity allowed, while choreographing Broadway shows (four for Rodgers and Hart), movies (The Goldwyn Follies), even the circus – a ballet for elephants with a score by Stravinsky. By the time of his death, in 1983, he had been recognized as a member of the triad of the greatest modern masters, alongside Picasso and Stravinsky. Balanchine was married many times, always to outstanding ballerinas, but his truest muse always remained Terpsichore, the Muse of Dance.
后半部分太好看了,真想拍一部电影,巴兰钦之死,病榻前,他五个妻子和其他演员们轮番看他,最终和莫扎特,柴可夫斯基去了同样的地方,全都是戏啊!芭蕾真的是脆弱的艺术,但又那样美,多谢巴兰钦,把自己的一切天才都倾注其中。
评分后半部分太好看了,真想拍一部电影,巴兰钦之死,病榻前,他五个妻子和其他演员们轮番看他,最终和莫扎特,柴可夫斯基去了同样的地方,全都是戏啊!芭蕾真的是脆弱的艺术,但又那样美,多谢巴兰钦,把自己的一切天才都倾注其中。
评分后半部分太好看了,真想拍一部电影,巴兰钦之死,病榻前,他五个妻子和其他演员们轮番看他,最终和莫扎特,柴可夫斯基去了同样的地方,全都是戏啊!芭蕾真的是脆弱的艺术,但又那样美,多谢巴兰钦,把自己的一切天才都倾注其中。
评分后半部分太好看了,真想拍一部电影,巴兰钦之死,病榻前,他五个妻子和其他演员们轮番看他,最终和莫扎特,柴可夫斯基去了同样的地方,全都是戏啊!芭蕾真的是脆弱的艺术,但又那样美,多谢巴兰钦,把自己的一切天才都倾注其中。
评分后半部分太好看了,真想拍一部电影,巴兰钦之死,病榻前,他五个妻子和其他演员们轮番看他,最终和莫扎特,柴可夫斯基去了同样的地方,全都是戏啊!芭蕾真的是脆弱的艺术,但又那样美,多谢巴兰钦,把自己的一切天才都倾注其中。
George Balanchine 2024 pdf epub mobi 电子书