SUPREME DISCOMFORT originated from a much-commented-upon profile of Clarence Thomas that appeared in an August 2002 issue of The Washington Post Magazine . In it, Kevin Merida and Michael Fletcher, both Post staffers, both black, crafted a haunting portrait of an isolated and bitter man, savagely reviled by much of the black community, not entirely comfortable in white society, internally wounded by his passage from a broken family and rural poverty in Georgia to elite educational institutions to the pinnacle of judicial power. He has clearly never recovered from the searing experience of his Senate confirmation hearings and the "he said/she said" drama of the accusations of sexual harassment by Anita Hill.
SUPREME DISCOMFORT tracks the personal odyssey of perhaps the least understood man in Washington, from his poor childhood in Pin Point and Savannah, Georgia, to his educational experiences in a Catholic seminary and Holy Cross, to his law school years at Yale during the black power era, to his rise within the Republican political establishment. It offers a window into a man who straddles two different worlds and is uneasy in both—and whose divided personality and conservative political philosophy will deeply influence American life for years to come.
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