In "The Postmodern Animal", Steve Baker explores how animal imagery has been used in modern and contemporary art and performance, and in postmodern philosophy and literature, to suggest and shape ideas about identity and creativity. Baker cogently analyses the work of such European and American artists as Olly and Suzi, Mark Dion, Paula Rego and Sue Coe, at the same time looking critically at the constructions, performances and installations of Robert Rauschenberg, Louise Bourgeois, Joseph Beuys and other significant late twentieth-century artists. Baker's book draws parallels between the animal's place in postmodern art and poststructuralist theory, drawing on works as diverse as Jacques Derrida's recent analysis of the role of animals in philosophical thought and Julian Barnes' best-selling Flaubert's Parrot.
需要先理解德勒兹和瓜塔里的“becoming animal”才能理解这本书
评分区分后现代动物和生态动物两种叙事,以1970到1980为后现代前后两个阶段的分界,前几章以各种装置艺术、立体主义以及波普艺术为分析对象,用利奥塔的后现代状况叩询所有情境中的欲望政治,后半部分概述了生成动物的自我情动和无表征。像老鼠一样写作,像马一样看世界,像鱼一样运镜,影像作为身体能够穿透界限。
评分需要先理解德勒兹和瓜塔里的“becoming animal”才能理解这本书
评分区分后现代动物和生态动物两种叙事,以1970到1980为后现代前后两个阶段的分界,前几章以各种装置艺术、立体主义以及波普艺术为分析对象,用利奥塔的后现代状况叩询所有情境中的欲望政治,后半部分概述了生成动物的自我情动和无表征。像老鼠一样写作,像马一样看世界,像鱼一样运镜,影像作为身体能够穿透界限。
评分需要先理解德勒兹和瓜塔里的“becoming animal”才能理解这本书
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