This volume begins with the naturalistic revolt in France against traditional styles of theatre. As realism becomes a European movement the account moves from Paris to the Meiningen company and Ibsen's work as producer and play-wright in Oslo, Chekhov's in Moscow, Shaw's in London, Synge's in Dublin. Among the producers are Antoine, Brahm, Grein, Granville-Baker, Nemirovich-Danchenko and Stanislavsky. The early days of the Irish Dramatic Movement and the chief realistic directors and critics in the USA after Belasco are considered; the tradition is shown to persist in the work of Williams and Miller in the USA and Osborne and Bond in England.
發表於2024-12-04
Modern Drama in Theory and Practice 2024 pdf epub mobi 電子書 下載
圖書標籤: 戲劇理論 戲劇
One man's prose is often another man's poetry. 劇作上主要以易蔔生和契訶夫為現實主義的兩支,錶演上則以斯坦尼及其美國門徒——方法派為主。讀到背颱曾被視為自然主義的錶現形式,不禁想起一些人喜歡鼓吹的圍繞舞颱支點設計舞颱動作,真刻闆蠢笨。
評分One man's prose is often another man's poetry. 劇作上主要以易蔔生和契訶夫為現實主義的兩支,錶演上則以斯坦尼及其美國門徒——方法派為主。讀到背颱曾被視為自然主義的錶現形式,不禁想起一些人喜歡鼓吹的圍繞舞颱支點設計舞颱動作,真刻闆蠢笨。
評分One man's prose is often another man's poetry. 劇作上主要以易蔔生和契訶夫為現實主義的兩支,錶演上則以斯坦尼及其美國門徒——方法派為主。讀到背颱曾被視為自然主義的錶現形式,不禁想起一些人喜歡鼓吹的圍繞舞颱支點設計舞颱動作,真刻闆蠢笨。
評分One man's prose is often another man's poetry. 劇作上主要以易蔔生和契訶夫為現實主義的兩支,錶演上則以斯坦尼及其美國門徒——方法派為主。讀到背颱曾被視為自然主義的錶現形式,不禁想起一些人喜歡鼓吹的圍繞舞颱支點設計舞颱動作,真刻闆蠢笨。
評分One man's prose is often another man's poetry. 劇作上主要以易蔔生和契訶夫為現實主義的兩支,錶演上則以斯坦尼及其美國門徒——方法派為主。讀到背颱曾被視為自然主義的錶現形式,不禁想起一些人喜歡鼓吹的圍繞舞颱支點設計舞颱動作,真刻闆蠢笨。
Modern Drama in Theory and Practice 2024 pdf epub mobi 電子書 下載