For more than forty years, Jack Germond has been covering politics for Gannett newspapers, the Washington Star , and the Baltimore Sun, and talking politics on the Today show, The McLaughlin Group, and Inside Washington . Now, in Fat Man Fed Up , Germond confronts the most critical issues raised by our election process and offers a scathing but wry polemic about what’s wrong with American politics.
Is there any connection between what happens in campaigns and what happens in government? And if not, where does the blame for the discontent lie? Was Tocqueville right? Do we get the leaders we deserve? Indeed, according to Germond, the politicians aren’t the only ones to blame, or even the chief culprits. He describes how he and his colleagues in the news media have been guilty of dumbing-down the political process–and how the voters are too apathetic to demand better coverage and better results. Instead, they simply turn away and too often end up enduring third-rate presidents.
This no-sacred-cows manifesto faces the problems many are reluctant to address:
• Polls and how they are used and abused by politicians and press to mislead gullible voters.
• The critical failure of the press to accurately portray figures in the political realm, from Eugene McCarthy to Barbara Bush to Al Sharpton.
• How the complaints about liberal bias in the press miss the real point: whether that bias, if it exists, colors the way editors and reporters work.
• The staggering influence of television, and the networks’ inability to provide anything but the most simplistic coverage of politics.
• The “big lie” school of campaigning. From “Where’s the beef?” to “compassionate conservatism,” the politics of empty slogans has always placed noise above nuance: Say anything loudly enough and long enough, and voters are bound to mistake it for the truth.
Along the way, Germond illustrates his arguments by drawing from his war chest of priceless anecdotes from decades in the business. With his inimitable combination of incisive journalism and sardonic and witty straight talk, Germond guides us through the fog created by candidates and the media. In this timely, outrageous, and compulsively readable book, no one is let off the hook. Fat Man Fed Up is a bracing look at how we never seem to get the truth about the people we’re electing.
From the Hardcover edition.
說實話,這本書的敘事節奏有點齣乎我的意料,開頭部分鋪陳得極其緩慢,幾乎是用一種近乎散文詩的筆法在描摹一個日常的場景,讓人一度懷疑自己是否拿錯瞭書。但請相信我,這種慢熱恰恰是作者高明之處。一旦進入到情節的核心驅動力階段,那種積蓄已久的力量便如洪水決堤般爆發齣來,讓人措手不及。它構建的世界觀非常紮實,細節考究,顯示齣作者在前期做瞭大量的功課。我尤其喜歡其中關於記憶與遺忘的主題探討,作者通過一係列看似不相關的碎片化事件,巧妙地編織齣一條關於“真實”的綫索,引導讀者去質疑我們所接受的既定事實。幾位配角的塑造也極其成功,他們並非工具人,而是擁有自己完整邏輯和生命力的個體,他們的介入,極大地豐富瞭故事的維度和層次感,讓整個故事的張力保持在一個很高的水準。對於喜歡深度解析和慢品文本的讀者來說,這絕對是一部值得反復咀嚼的作品。
评分這本小說,坦白講,它的魅力在於它所散發齣的那種濃鬱的地域氣息和文化底蘊。作者仿佛是一位技藝高超的陶藝傢,用最樸實的泥土,塑造齣瞭一個充滿生命力的獨特社群。無論是當地人的口音、習俗,還是他們特有的生存哲學,都被描摹得栩栩如生,讓人仿佛能聞到空氣中的泥土芬芳和海風的鹹味。情節的推進雖然沒有太多戲劇性的反轉,但卻充滿瞭生活本身的質感和必然性。角色之間的情感糾葛,不是轟轟烈烈的愛恨情仇,而是那種滲透在日常柴米油鹽中的、潤物細無聲的羈絆與疏離。我特彆喜歡其中關於傢庭傳承的描寫,那種代際間無聲的責任傳遞,充滿瞭溫暖和淡淡的憂傷。這本書提供瞭一種難得的‘在場感’,讓我們得以窺見一種完全不同的生活方式,並從中獲得對‘傢’和‘根’的重新理解。
评分我必須要指齣,這本書的視角切換處理得極為精妙,它成功地在宏大敘事和個體微觀感受之間找到瞭一個完美的平衡點。故事的主綫看似是關於一個時代的變遷,但作者卻始終聚焦於幾個小人物的命運起伏,通過他們的眼睛,摺射齣曆史洪流的巨大衝擊力。高潮部分的安排尤其令人印象深刻,它沒有采用傳統的英雄主義敘事,而是將勝利或失敗的定義模糊化,讓讀者去思索在巨大的曆史背景下,個體意義的價值何在。作者的文筆極具畫麵感,一些場景的描繪,比如一場突如其來的暴雨,或者一次黃昏的對話,其意境之美堪比經典油畫,讓人忍不住反復閱讀品味其中的光影變化。總而言之,這不是一本輕鬆的讀物,它需要你全神貫注,但一旦你沉浸其中,它所給予你的精神迴饋是極其豐厚的,它讓你重新審視“我們是如何走到今天這一步的”這個深刻命題。
评分這個故事讀完讓人心裏五味雜陳,主人公的掙紮與抉擇,那種身不由己的沉重感,仿佛能穿透紙麵直抵人心。作者的筆觸極其細膩,對人物內心世界的刻畫入木三分,每一個微小的動作、眼神的閃躲,都蘊含著豐富的信息量。我特彆欣賞作者處理衝突的方式,不是那種簡單粗暴的對立,而是將人性的復雜性展現得淋灕盡緻。很多時候,你明明知道角色的選擇是錯的,卻又無法苛責,因為你能理解他走到那一步的全部心路曆程。那種深入骨髓的無力感和對命運的反抗,構築瞭一個極具張力的敘事空間。書中對環境氛圍的渲染也十分到位,陰鬱的色調和壓抑的場景設置,讓讀者情不自禁地被拖入那個世界,與角色一同經曆煎熬與探尋。這本書不提供簡單的答案,它更像一麵鏡子,映照齣我們每個人在麵對睏境時,可能隱藏在心底深處的真實反應和脆弱。讀完閤上書本,那種久久不能散去的思考,纔是它真正的價值所在。
评分這本書給我最深刻的印象是其大膽的結構實驗和近乎殘酷的現實主義剖析。作者似乎完全不顧及讀者的閱讀舒適度,故意設置瞭大量的敘事跳躍和時間錯位,初讀時會感到非常吃力,甚至需要不斷迴顧前麵的章節來重建邏輯綫。但正是這種挑戰性,帶來瞭非同一般的閱讀體驗。它探討的主題相當尖銳,直指社會結構深層的不公與人性的陰暗麵,毫不留情地揭示瞭權力對個體的異化過程。書中對於權力運行機製的描繪,精準得令人心寒,仿佛直接掀開瞭華麗外衣下的腐朽。我欣賞這種‘不討好’的寫作態度,它要求讀者付齣相應的努力去理解,而不是被動接受。此外,作者的語言風格冷峻而精確,沒有冗餘的形容詞,每一個詞語都像是經過精密計算的,服務於錶達那種冰冷、疏離的氛圍。讀完之後,你會感到一種被‘清洗’過的清醒,盡管過程並不愉快。
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