In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities on the theme "A Writer and His World." During this time Isherwood, who would liberate the memoir and become the founding father of modern gay writing, spoke openly for the first time about his craft--on writing for film, theater, and novels--and on spirituality. "Isherwood on Writing" brings these public addresses together to reveal a distinctly--and surprisingly--American Isherwood. Given at a critical time in Isherwood's career, these lectures mark the era when he turned from fiction to memoir. In free-flowing, wide-ranging discussions, he reflects on such topics as why writers write, what makes a novel great, and what influenced his own work. Isherwood talks about his working relationship with W. H. Auden; his literary friendships with E. M. Forster, Virginia Woolf, Stephen Spender, Aldous Huxley, and Somerset Maugham; and his work in the film industry in London and Hollywood. He also explores uncharted territory in candid comments on his own work, something not contained in his diaries. "Isherwood on Writing" uncovers an important and often-misunderstood time in Isherwood's life in America. The lectures present, in James J. Berg's words, "an example of a man, comfortable in his own sexuality and self, trying to talk about himself and his own life in a society that is not yet ready to hear the whole story." A major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904-1986) is the author of many books, including "A Single Man "and "Down There on a Visit, " available from Minnesota. James J. Berg is dean of liberal arts and sciences at Lake Superior College in Duluth, Minnesota. He is editor, with Chris Freeman, of "The Isherwood Century: Essays on the Life and Work of Christopher Isherwood" (winner of the Lambda Award) and "Conversations with Christopher Isherwood." Claude Summers is professor emeritus of English at the University of Michigan, Dearborn and author of many works, including "Gay Fictions: Wilde to Stonewall."
發表於2024-11-08
Isherwood on Writing 2024 pdf epub mobi 電子書 下載
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我是把編輯寫在Isherwood講義前的文學評論當成批評範本讀的,分析的深度廣度和寬度跟其他大學教授著筆的文學評論不相上下,風格像是弄堂裏的叨嘮,挺搭I的文風和演講風格。Nerve of Interest in the Novel對我最有啓發,感受到I的靈性。I的發言像收音機裏的叨嗑,適閤邊乾傢務邊聽,如果作為4th course讓我全程坐在lecture hall裏估計會挺難受的,若是作為5th course就權當放鬆瞭,編成書倒是愛極瞭。書裏學生吐槽不少內容是I過去訪談的總結,可能我不是那個時代的所以I的分享對於我是新鮮的
評分我是把編輯寫在Isherwood講義前的文學評論當成批評範本讀的,分析的深度廣度和寬度跟其他大學教授著筆的文學評論不相上下,風格像是弄堂裏的叨嘮,挺搭I的文風和演講風格。Nerve of Interest in the Novel對我最有啓發,感受到I的靈性。I的發言像收音機裏的叨嗑,適閤邊乾傢務邊聽,如果作為4th course讓我全程坐在lecture hall裏估計會挺難受的,若是作為5th course就權當放鬆瞭,編成書倒是愛極瞭。書裏學生吐槽不少內容是I過去訪談的總結,可能我不是那個時代的所以I的分享對於我是新鮮的
評分我是把編輯寫在Isherwood講義前的文學評論當成批評範本讀的,分析的深度廣度和寬度跟其他大學教授著筆的文學評論不相上下,風格像是弄堂裏的叨嘮,挺搭I的文風和演講風格。Nerve of Interest in the Novel對我最有啓發,感受到I的靈性。I的發言像收音機裏的叨嗑,適閤邊乾傢務邊聽,如果作為4th course讓我全程坐在lecture hall裏估計會挺難受的,若是作為5th course就權當放鬆瞭,編成書倒是愛極瞭。書裏學生吐槽不少內容是I過去訪談的總結,可能我不是那個時代的所以I的分享對於我是新鮮的
評分我是把編輯寫在Isherwood講義前的文學評論當成批評範本讀的,分析的深度廣度和寬度跟其他大學教授著筆的文學評論不相上下,風格像是弄堂裏的叨嘮,挺搭I的文風和演講風格。Nerve of Interest in the Novel對我最有啓發,感受到I的靈性。I的發言像收音機裏的叨嗑,適閤邊乾傢務邊聽,如果作為4th course讓我全程坐在lecture hall裏估計會挺難受的,若是作為5th course就權當放鬆瞭,編成書倒是愛極瞭。書裏學生吐槽不少內容是I過去訪談的總結,可能我不是那個時代的所以I的分享對於我是新鮮的
評分我是把編輯寫在Isherwood講義前的文學評論當成批評範本讀的,分析的深度廣度和寬度跟其他大學教授著筆的文學評論不相上下,風格像是弄堂裏的叨嘮,挺搭I的文風和演講風格。Nerve of Interest in the Novel對我最有啓發,感受到I的靈性。I的發言像收音機裏的叨嗑,適閤邊乾傢務邊聽,如果作為4th course讓我全程坐在lecture hall裏估計會挺難受的,若是作為5th course就權當放鬆瞭,編成書倒是愛極瞭。書裏學生吐槽不少內容是I過去訪談的總結,可能我不是那個時代的所以I的分享對於我是新鮮的
Isherwood on Writing 2024 pdf epub mobi 電子書 下載