"One of the most assured voices in contemporary poetry."-Library Journal The post-impressionist Pierre Bonnard painted, among other things, dozens of paintings of windows. Starting there, this extended poem-part art criticism, part history-considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim. From "The Open Window": Photography replaced the river, which, due to unexpected complications, resulted in the Great Age of the Train. Bonnard started photographing just as the snapshot became possible. Glass negatives gave way to strips of film, and the river froze, intact. In shadow and light, the Seine, said Marthe, standing in the garden, frame after frame. We are multiplying the things we can and do see through.
具体描述
读后感
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有