Short-listed for the Center for Fiction's 2017 First Novel Prize, Empire of Glass is a grand, experimental epic chronicling the seismic changes in China over the last half century.

In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called "Empire of Glass," a narrative that chronicles the lives of Li-Ming and her husband, Wang, in pre and post-revolutionary China over the last half of the twentieth century. Lao K begins translating the story, which becomes the novel we are reading. But, as translator, how can Lao K separate fact from fiction, and what will her role be in the book's final chapter?

A grand, experimental epic--Lao K's story is told in footnotes that run throughout the book--that chronicles the seismic changes in China over the last half century through the lens of one family's experiences, Empire of Glass is an investigation into the workings of human memory and the veracity of oral history that pushes the boundaries of language and form in stunning and unforgettable ways.

Kaitlin Solimine has been a Fulbright Fellow in China, and has received several scholarships, awards, and residencies for her writing, including the 2012 Dzanc Books/Disquiet International Literary Program award for an earlier draft of Empire of Glass, judged by Colson Whitehead. Her fiction has been published in Guernica, Kartika Review, and numerous anthologies. Kaitlin is co-founder of Hippo Reads, a network connecting academic insights and scholars to the wider public. She resides in San Francisco with her husband and daughter, where she was a 2016 SF Grotto Writing Fellow and is associate producer of the childbirth documentary, Of Woman Born.