William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"[19]—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s.[20] Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature.
After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson collaborated with Bruce Sterling on the alternate history novel The Difference Engine (1990), which became an important work of the science fiction subgenre steampunk. In the 1990s, Gibson composed the Bridge trilogy of novels, which explored the sociological developments of near-future urban environments, postindustrial society, and late capitalism. Following the turn of the century and the events of 9/11, Gibson emerged with a string of increasingly realist novels—Pattern Recognition (2003), Spook Country (2007), and Zero History (2010)—set in a roughly contemporary world. These works saw his name reach mainstream bestseller lists for the first time. His more recent novel, The Peripheral (2014), returned to a more overt engagement with technology and recognizable science fiction concerns.
In 1999, The Guardian described Gibson as "probably the most important novelist of the past two decades," while the Sydney Morning Herald called him the "noir prophet" of cyberpunk.[21] Throughout his career, Gibson has written more than 20 short stories and 10 critically acclaimed novels (one in collaboration), contributed articles to several major publications, and collaborated extensively with performance artists, filmmakers, and musicians. His work has been cited as an influence across a variety of disciplines spanning academia, design, film, literature, music, cyberculture, and technology.
"Burning Chrome" is a short story, written by William Gibson and first published in Omni in July 1982. Gibson first read the story at a science fiction convention in Denver, Colorado in the autumn of 1981, to an audience of four people, among them Bruce Sterling (who Gibson later said "completely got it"). It was nominated for a Nebula Award in 1983[2] and collected with the rest of Gibson's early short fiction in a 1986 volume of the same name.
發表於2025-02-03
Burning Chrome 2025 pdf epub mobi 電子書 下載
讀的吉布森的第一部長篇著作即《神經漫遊者》,那是我第一次接觸塞伯朋剋科幻文學。 對瞭,這就是我心中的塞伯朋剋科幻小說,這纔是最真實最殘酷的科幻。 這是我讀完《神經漫遊者》之後的第一個想法。吉布森筆下的未來都市是如此讓人著迷,他正中瞭我內心對未來都市的幻想。 如...
評分整本裏最喜歡《鼕季市場》這一篇。 讀瞭很多遍 ———————————————————————————————— 如果在死後把所有神經信號硬件化,放在服務器上,是否就獲得瞭瞭永生? 鼕季市場最迷人的地方,是身為人的凱西在麵對最後獲得瞭永生的麗茲麵前,感受到的恐懼...
評分2016年第一本棄書,10篇短篇沒有一篇讀得進去,彆說玫瑰,連碎片都沒看見…… 當然99.99%都是我個人的原因,我不適應這種“賽伯朋剋”“蒸汽朋剋”科幻,我不僅不懂什麼是“賽伯朋剋”,甚至連豆瓣裏的書評都看不懂……我對囤在手裏還沒看的阿西莫夫感到擔憂,也慶...
評分整本裏最喜歡《鼕季市場》這一篇。 讀瞭很多遍 ———————————————————————————————— 如果在死後把所有神經信號硬件化,放在服務器上,是否就獲得瞭瞭永生? 鼕季市場最迷人的地方,是身為人的凱西在麵對最後獲得瞭永生的麗茲麵前,感受到的恐懼...
圖書標籤: 威廉吉布森 cyberpunk 科幻 短篇集 小說
《全息玫瑰碎片》
評分切片聖女奧爾加
評分因中文版絕版價格過高,強行啃瞭英文版。不得不佩服威廉吉布森的辭藻。
評分因中文版絕版價格過高,強行啃瞭英文版。不得不佩服威廉吉布森的辭藻。
評分切片聖女奧爾加
Burning Chrome 2025 pdf epub mobi 電子書 下載