Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
具體描述
讀後感
用戶評價
大學圖書館居然有這本.
评分從誇張的色彩和釘在臉上密密麻麻的釘子開始，到屠殺一隻豬的淋灕盡緻，再到通過愛貓展示自己所看到的世界，到總有一些異樣的每一年的傢庭照，與妻子快樂地躍起來的閤照，再到後來瘋狂的鏡頭對著自己的幾百張相片、與不同的人擁吻的照片、浴缸裏的照片、把自己放置在城市裏每一個角落的照片...可以感受到Fukase孤寂的極緻。
评分看深瀨還是收小本吧 閤集情感不連續無法代入
评分很棒。看完最直觀的感受：如果說看之前覺得《鴉》很棒，看完後覺得更棒更讓人著迷和期待完整閱讀的卻是和死亡有關的傢庭相冊項目（Aperture今年就齣版瞭，賊貴也要買啊！）。另外貓的幾個係列看著讓人心碎，極生動的背麵仍是死亡，和傢庭相冊項目一樣是帶給我對攝影這個媒介的死亡質感最直觀和直接衝擊的作品。Youtube上存著看過很多遍高清的翻書視頻，可惜很難買到實體書瞭，有也買不起瞭……
评分站在假雜誌圖書館裏看完的，有點厚有點貴，沒有買，但內容真的很好，包含瞭深瀨昌久的所有作品。幾乎都喜歡。
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