Lev Kuleshov(1899-1970)was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, both as thinker and practitioner, her was a key influence on Eisenstein and Pudovkin, and through them on all film theorists since. Kuleshov was the first to see clearly that montage - the assemblage and alternation of shots - was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves.
Deriving his insights from close study of American films (particularly D.W.Griffith's) Kuleshov used his experience in pre-revolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage.
发表于2024-11-23
Kuleshov on Film 2024 pdf epub mobi 电子书
图书标签: 电影 理论 editing Cinema #FDP #
This book contains essays on both the theoretical and practical sides of filmmaking.
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ESSAYS:
Americanitis
The Question of the Film Repertory
Handiwork
Will...Tenacity...Eye
Why I Am Not Working
David Griffith and Charlie Chaplin
The Rehearsal Method
Our First Experiences
Address to the Union of Soviet Film Workers
The Principles of Montage
In Maloi Gnezdnikovsky Lane
On the Red Front
都拿Kuleshov effect拿来证明电影表演不重要或者黑那些认为电影表演不重要的观点,其实早期电影实践者/理论家里估计没有哪个比Kuleshov更重视电影演员和表演了。读这本书最大的收获就是看到他蒙太奇和表演理论的演变,尤其后期几乎被人遗忘的观点。他跟艾森斯坦比起来应该是个相当变通且脾气好的人。
评分都拿Kuleshov effect拿来证明电影表演不重要或者黑那些认为电影表演不重要的观点,其实早期电影实践者/理论家里估计没有哪个比Kuleshov更重视电影演员和表演了。读这本书最大的收获就是看到他蒙太奇和表演理论的演变,尤其后期几乎被人遗忘的观点。他跟艾森斯坦比起来应该是个相当变通且脾气好的人。
评分都拿Kuleshov effect拿来证明电影表演不重要或者黑那些认为电影表演不重要的观点,其实早期电影实践者/理论家里估计没有哪个比Kuleshov更重视电影演员和表演了。读这本书最大的收获就是看到他蒙太奇和表演理论的演变,尤其后期几乎被人遗忘的观点。他跟艾森斯坦比起来应该是个相当变通且脾气好的人。
评分都拿Kuleshov effect拿来证明电影表演不重要或者黑那些认为电影表演不重要的观点,其实早期电影实践者/理论家里估计没有哪个比Kuleshov更重视电影演员和表演了。读这本书最大的收获就是看到他蒙太奇和表演理论的演变,尤其后期几乎被人遗忘的观点。他跟艾森斯坦比起来应该是个相当变通且脾气好的人。
评分都拿Kuleshov effect拿来证明电影表演不重要或者黑那些认为电影表演不重要的观点,其实早期电影实践者/理论家里估计没有哪个比Kuleshov更重视电影演员和表演了。读这本书最大的收获就是看到他蒙太奇和表演理论的演变,尤其后期几乎被人遗忘的观点。他跟艾森斯坦比起来应该是个相当变通且脾气好的人。
Kuleshov on Film 2024 pdf epub mobi 电子书