亨利剋·易蔔生(1928-1906),是挪威人民引以自豪的戲劇大師、歐洲近代戲劇新紀元的開創者,他在戲劇史上享有同莎士比亞和莫裏哀一樣不朽的聲譽。
易蔔生齣生於挪威海濱一個小城斯基恩。少年時期,因父親破産,傢道中落,沒有進成大學,不滿十六歲就到一傢藥店當學徒。社會的勢利,生活的艱辛,培養瞭他的憤世嫉俗的性格和個人奮鬥的意誌。在繁重而瑣碎的學徒作之餘,他刻苦讀書求知,並學習文藝寫作。1848年歐洲的革命浪潮和挪威國內的民族解放運動,激發瞭青年易蔔生的政治熱情和民族意識,他開始寫瞭一些歌頌曆史英雄的富有浪漫色彩的劇作。接著,他先後在卑爾根和奧斯陸被劇院聘為導演和經理,達十餘年之久。這段經曆加深瞭他對挪威社會政治的失望,於是憤而齣國,在意大利和德國度過二十七年(1863-91)的僑居生活,同時在創作上取得瞭輝煌的成就,晚年纔迴奧斯陸。易蔔生一生共寫瞭二十多部劇作,除早期那些浪漫抒情詩劇外,主要是現實主義的散文劇即話劇。這些散文劇大都以習見而又重大的社會問題為題材,通常被稱為“社會問題劇”。《社會支柱》(1877)、《玩偶之傢》(1879)、《群鬼》
(1881)和《人民公敵》(1882)是其中最著名的代錶作。
發表於2025-02-10
A Doll's House 2025 pdf epub mobi 電子書 下載
《玩偶之傢》一直被當作是女權運動的宣言。娜拉終於勇敢的反抗,堅決的離開,當然可以很明顯的看齣女性對男權的抗爭。若該劇齣自一個女性作傢之手,它將會更具這方麵的意義。以上是普遍的觀點。 看完本劇,我並沒有因娜拉最終的反抗而異常的振奮,反而是被它的悲劇色彩...
評分是的,很棒的作品,好久沒有這樣的感受瞭。 在這個後現代的社會中看清自己,看清周圍,樹立旗幟,踏踏實實做事情。是的,為瞭美好,沒有什麼好說的。 時代是一個一個的輪迴,現在這個時代在曆史中有輪迴,我嚮前學習,想現在學習,還要嚮未來學習。
圖書標籤: 外國文學
補標... "Nora: But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls."
評分補標... "Nora: But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls."
評分補標... "Nora: But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls."
評分補標... "Nora: But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls."
評分補標... "Nora: But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls."
A Doll's House 2025 pdf epub mobi 電子書 下載