佐藤忠男，日本電影評論傢、電影史學傢，曾任日本電影評論學會會長。自1950年起，在《電影評論》、《電影旬報》等雜誌發錶電影評論。

其著作頗豐，其中，《日本電影史》獲得瞭1995年的“每日齣版文化奬”、1996年的“藝術選奬”、“文部大臣奬”，並在2002年獲得韓國文化勛章、法國文化勛章等。現為日本東京電影學院院長。主要著作《今村昌平的世界》(1980)、《溝口健二的世界》(1982)、《黑澤明的世界》(1986)、《大島渚的世界》(1986)、《長榖川仲論》(1988)、《日本電影史．全四捲》(1995)、《小津安二郎的藝術》(1997)、《韓國電影的精神》(2000)等。

Kenji Mizoguchi is one of the three acclaimed masters - together with Yasujiro Ozu and Akira Kurosawa - of Japanese cinema. Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the twentieth century.Born at the end of the nineteenth century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his elder sister was obliged to enter a geisha house to support the family. Her earnings paid for Mizoguchi's education. Weak and deluded men and strong, self-sacrificing women - these were to become the obsessive motifs of Mizoguchi's films.Mizoguchi's apprenticeship in cinema was peculiarly Japanese. His concerns - the role of women and the realist representation of the inequities of Japanese society - were not. Through two World Wars, Japan's culture changed. Though censored, Mizoguchi continued to produce films. It was only in the 1950s that Mizoguchi's astonishing cinematic vision became widely known outside Japan.Kenji Mizoguchi and the Art of Japanese Cinema tells the full story of this famously perfectionist, even tyrannical, director. Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan's changing popular and political culture.