T O M O K O S A W A D A b. Hyogo, Japan, 1970
In the late 1990s, Tomoko Sawada attracted wide attention for her "ID 400" series of photobooth self-portraits, begun while she was still in art school. Since that time, she has become one of Japan's most frequently exhibited artists, and has continued to use herself as her sole photographic model. Sawada's recent series "School Days" mimics the familiar format of the Japanese class portrait, which is taken twice a year, at the time of the summer and winter change of school uniforms. The uniforms worn by students create an overall air of anonymity, and Sawada underscores this sense of sameness by playing the role of every sitter. Using countless minute variations of hairstyle, posture, and facial expression, she creates an array of sharply etched characters. Examined closely, each one quietly but firmly pushes the available options for self-expression to the limit.
Ten Japanese high school class photographs, printed on thick card, are collected in this edition which extends on Sawada's exploration of costume and identity. Each photograph features the artist re-presenting herself as a multitude of different students in a comment on the power of educational institutions and the social pressures facing young women.
有点意思 同一张脸组成的毕业合影
评分有点意思 同一张脸组成的毕业合影
评分有点意思 同一张脸组成的毕业合影
评分有点意思 同一张脸组成的毕业合影
评分有点意思 同一张脸组成的毕业合影
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有