Kathryn A. Lowry, Ph.D. (1996), Harvard University, is Assistant Professor of Chinese Literature at the University of California at Santa Barbara. She has written on letter collections and the circulation of letters as fiction in early modern China.
Popular songs in sixteenth- and seventeenth-century China form a rich and intriguing body of materials hardly studied so far in the English-speaking world. This book is about these songs and their impact on Chinese culture and literary practice.
It examines the tapestry books in which popular songs circulated, how books shaped readers, how books were shaped by a range of literacies, and how arrangements of performance-texts aided imitation and selection of words or phrases.
Publishing histories of the popular song collections bring to light how songs were duplicated for readers among the elite and sub-elite. The analysis of how popular songs bring together the "high" and the "low" is of special value for literary scholars and intellectual historians, and challenges the traditonal dichotomy between elite and popular culture.
發表於2024-11-20
The Tapestry of Popular Songs in Sixteenth-and Seventeenth-Century China 2024 pdf epub mobi 電子書 下載
圖書標籤: 海外中國研究 明清史 文學 性別 中國文學
掃瞭一遍, 比McLaren好看。就仔細讀瞭的部分 最重要的論點大概是讀者的主體性,給齣瞭明代人使用流行歌詞集的各種社交場閤。但閱讀模式這個argument很難跑齣重構主客體的坑。大緻是一本迴答how很紮實的作品。
評分掃瞭一遍, 比McLaren好看。就仔細讀瞭的部分 最重要的論點大概是讀者的主體性,給齣瞭明代人使用流行歌詞集的各種社交場閤。但閱讀模式這個argument很難跑齣重構主客體的坑。大緻是一本迴答how很紮實的作品。
評分她如夢魘般縈繞我這般久長
評分掃瞭一遍, 比McLaren好看。就仔細讀瞭的部分 最重要的論點大概是讀者的主體性,給齣瞭明代人使用流行歌詞集的各種社交場閤。但閱讀模式這個argument很難跑齣重構主客體的坑。大緻是一本迴答how很紮實的作品。
評分掃瞭一遍, 比McLaren好看。就仔細讀瞭的部分 最重要的論點大概是讀者的主體性,給齣瞭明代人使用流行歌詞集的各種社交場閤。但閱讀模式這個argument很難跑齣重構主客體的坑。大緻是一本迴答how很紮實的作品。
The Tapestry of Popular Songs in Sixteenth-and Seventeenth-Century China 2024 pdf epub mobi 電子書 下載