In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
具体描述
读后感
观众悖论与结论 1.造成对作品情节和现实的无知---剧场是幻觉的，被动消极地。如柏拉图认为，剧场是无知者被邀请进并通过剧场技术的展现来见证人们受难的场所。它拒绝知悉行为和理性理解。 2.成为演出的对立面，被固定在观众席之内 drama意味着行动 theatre是一个在发生与得出结...
评分观众悖论与结论 1.造成对作品情节和现实的无知---剧场是幻觉的，被动消极地。如柏拉图认为，剧场是无知者被邀请进并通过剧场技术的展现来见证人们受难的场所。它拒绝知悉行为和理性理解。 2.成为演出的对立面，被固定在观众席之内 drama意味着行动 theatre是一个在发生与得出结...
评分观众悖论与结论 1.造成对作品情节和现实的无知---剧场是幻觉的，被动消极地。如柏拉图认为，剧场是无知者被邀请进并通过剧场技术的展现来见证人们受难的场所。它拒绝知悉行为和理性理解。 2.成为演出的对立面，被固定在观众席之内 drama意味着行动 theatre是一个在发生与得出结...
评分观众悖论与结论 1.造成对作品情节和现实的无知---剧场是幻觉的，被动消极地。如柏拉图认为，剧场是无知者被邀请进并通过剧场技术的展现来见证人们受难的场所。它拒绝知悉行为和理性理解。 2.成为演出的对立面，被固定在观众席之内 drama意味着行动 theatre是一个在发生与得出结...
评分观众悖论与结论 1.造成对作品情节和现实的无知---剧场是幻觉的，被动消极地。如柏拉图认为，剧场是无知者被邀请进并通过剧场技术的展现来见证人们受难的场所。它拒绝知悉行为和理性理解。 2.成为演出的对立面，被固定在观众席之内 drama意味着行动 theatre是一个在发生与得出结...
用户评价
立论犀利，推论令人失望，结论半对半错
评分What each individual has in common is the fact that their intellectual journey is unique and it is this very uniqueness that is the basis of our sense of community. We should not see our expressive power 'embodied' by designated others but accept it as the normal everyday capacity of each of us as individuals
评分想写aesthetic break和politics
评分分裂与融合这俩模式可以，写论文引了
评分emancipation is said to be signifying a redistribution of sensuality through art, a process which cannot be anticipated. A pending problematic concerns the tension between the work of art with emancipating affects and a Blanchottian moment of dread
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