Flossie and the Fox

出版者:Scholastic Paperbacks

作者:McKissack, Patricia C.

页数:0

出版时间:1992-9

价格:30.00

装帧:简装

isbn号码:9780590458849

具体描述

From Publishers Weekly Flossie carefully stores her straw doll in a hollow tree stump when Big Mama calls her away from play. She wants Flossie to deliver eggs to "Miz Viola over at the McCutchin Place. Seem like they been troubled by a fox. Miz Viola's chickens be so scared， they can't even now lay a stone." Flossie has never seen a fox， but sets off through the shady， cool woods. When she meets the fox， she doesn't recognize him， and so introduces herself. He identifies himself， but Flossie doesn't believe him. He points out his thick fur. "Feels like rabbit fur to me，" Flossie replies. "You a rabbit." The fox notes his long pointed nose， and Flossie decides that rats have similar noses. "You a rat trying to pass yo'self off as a fox." The fox desperately tries to persuade Flossie of his identity. She just keeps walking， until they are in the road， where the McCutchin hounds are ready to pounce on the fox. "The hounds know who I am!" the fox cries. "I know，" says Flossie. Her eggs are safe， and the little girl has outfoxed the "ol' confidencer." This is a sly tale， richly evoked by both Isadora's lavish paintings and the storyteller's dialect. Copyright 1987 Reed Business Information， Inc. --This text refers to the Hardcover edition. From School Library Journal Grade 1-3 McKissack recounts this story which was told to her as a child by her grandfather. Flossie is a young black girl who lives with her grandmother in the rural south. When Big Mama sends Flossie to deliver a basket of eggs to a neighbor， she cautions her to be careful of the fox who had been frightening the chickens and stealing their eggs. To Flossie's "How do a fox look?，" Big Mama responds that "A fox be just a fox." Having no idea what this means， Flossie sets out on her mission through a wooded area， where she is greeted by the fox. As he tries to convince her that he is to be feared， she refutes him by insisting that he prove who he is. To readers' delight， the frustrated fox fails every attempt. Fox' final confrontation with a fierce dog saves the day for Flossie， who proves herself to be more cunning than the fox. The watercolor and ink illustrations， with realistic figures set on impressionistic backgrounds， enliven this humorous and well-structured story which is told in the black language of the rural south. The language is true， and the illustrations are marvelously complementary in their interpretation of the events. This spirited little girl will capture readers from the beginning， and they'll adore her by the end of this delightful story. Helen E. Williams， University of Maryland， College ParkCopyright 1986 Reed Business Information， Inc. --This text refers to the Hardcover edition. See all Editorial Reviews"

用户评价

情节的结构设计是这部作品最值得称道的部分之一，它拒绝了传统三幕剧的简单框架，采取了一种更接近于巴洛克式音乐结构的复杂回旋。作者似乎非常热衷于埋设线索，但这些线索并非总是在高潮时才被揭示，有些甚至在故事的尾声才以一种令人醍醐灌顶的方式被重新审视和理解。我个人最欣赏的是它对“记忆”这个主题的处理。书中对过去事件的回溯并非线性叙事，而是碎片化、主观化地闪回，这些记忆片段如同散落在棋盘上的棋子，直到最后一步棋才将它们串联成一个完整的、令人心碎的图案。这种处理方式要求读者必须保持高度的专注力，去辨识哪些是真实发生过的，哪些是角色基于自身创伤所构建的幻象。这种智力上的挑战，伴随着情感上的冲击，使得阅读过程充满了发现的乐趣。每当我以为我掌握了故事的走向时，作者总能用一个意想不到的转折，将我的预判彻底打乱，这种对读者预期的尊重与颠覆并存的艺术手法，实在令人拍案叫绝。

角色的塑造达到了令人信服的复杂程度，这里没有绝对的好人或坏蛋，每个人物都像一个多棱镜，折射出人性中光亮与幽暗并存的特质。作者通过大量详实的内心挣扎和外部行动的矛盾统一，塑造出了一群具有高度心理深度的形象。我尤其被其中一位配角吸引，他看似是推动情节的工具人，但作者却花了相当大的笔墨去描绘他那些不为人知的日常习惯和微不足道的坚持，正是这些“无用”的细节，反而构建了他身上不可替代的真实感和存在的重量。这种对次要人物的投入，体现了作者对整个故事宇宙的深切关怀，而非仅仅聚焦于主角的成长弧光。此外，角色之间的关系网处理得极为微妙，许多重要的盟友或对手关系，都是在漫长的时间跨度和无数次试探中逐渐形成的，没有突兀的友谊或瞬间产生的仇恨，一切都建立在扎实的互动基础之上，读来让人深信不疑。

从整体氛围来看，这部作品散发着一种独特的、难以言喻的“质感”。它成功地营造出一种介于现实与梦境之间的边界模糊地带，这种氛围的营造，很大程度上依赖于作者对特定时代背景或特定地理环境的细致考据和艺术加工。例如，书中对某种特定季节交替时节气候的描写，不仅仅是天气预报式的陈述，而是被赋予了强烈的象征意义，预示着即将到来的命运转折。这种环境的“情绪化”，与人物的情感波动形成了完美的共振。阅读过程中，我产生了一种强烈的“沉浸感”——并非那种快餐式的代入，而是一种缓慢渗透、逐渐被“同化”的感觉，仿佛我暂时离开了自己的生活，进入了那个被精心构建的世界中去生活了一段时间。完成阅读后，从那种氛围中抽离出来，需要一个适应的过程，这恰恰说明了作者在构建其世界观的粘合力和完整性上所下的苦功。它带来的思考是持续性的，而非即时的满足感，让人愿意反复回味那种独特的“味道”。

这本书的语言风格，说实话，初读时可能会让人觉得有些晦涩，但一旦沉浸进去，那种韵律感和独特的词汇选择便会像一种古老的咒语般将你牢牢锁定。它不像当代流行小说那样追求直白和速度，反而更像是在打磨一块精美的玉石，每一个句子都经过了反复的琢磨和雕琢，充满了画面感和听觉美感。我特别留意到作者在描述自然景象时所采用的比喻和拟人手法，它们新颖而又精准，完全避免了陈词滥调，赋予了周遭环境一种近乎于生命体的鲜活感。举个例子，对于风声的描绘，它不是简单的“呼啸”，而是被赋予了某种特定的“意图”和“情绪”，这种赋予让环境不再仅仅是故事的背景板，而是成为了一个活跃的、甚至可以说是沉默的参与者。叙事的视角转换也处理得非常巧妙，时而拉近到最私密的内心独白，时而又抽离到一种全知全能的、近乎神性的俯瞰角度，这种跳跃非但没有造成混乱，反而以一种魔幻的现实主义笔触，拓宽了故事所能承载的维度，让人在阅读时体验到一种时空交错的奇妙感。

这部小说的叙事节奏简直是大师级的拿捏，开篇的铺陈细腻得如同晨雾初散，将人物的内心世界和所处的环境描绘得淋漓尽致，让人仿佛能亲身感受到那种微妙的、初生的不安与期待。作者对细节的关注令人赞叹，比如对某个特定场景下光影变化的捕捉，或者对某种情绪下角色细微肢体动作的刻画，都为整个故事打下了坚实的情感基调。我特别欣赏作者处理冲突的方式，它不是那种突兀的爆发，而是像地下水流一样，缓缓积蓄力量，最终以一种极其自然却又无法抗拒的态势展现出来。这种层层递进的张力管理，使得即便在情节相对平缓的段落，读者的神经也始终处于一种被微妙牵引的状态，让人忍不住想翻页探究“接下来会发生什么”。更绝妙的是，作者在人物对话中巧妙地嵌入了大量的潜台词和未言明的动机，你得留神去解读那些只言片对，才能真正领会角色间的复杂关系和他们彼此间的微妙博弈。这种需要读者主动参与到意义建构中的阅读体验，极大地提升了作品的深度和回味无穷的价值。读完后，那种怅然若失又心满意足的感觉交织在一起，证明了作者在情感连接上的高超技巧。