序言
笔墨鲜明的表现手法
伊藤昌 -------------------------------------------------------6
用具配置／墨的研磨方法／笔 ···························· 6
调墨重点 ················································· 6
运笔秘诀 ················································· 7
紫藤画法　用逆锋表现出藤蔓的强韧
樱花画法　破墨效果
画法讲解１　画玫瑰 ········································ 8
破墨技法 ··············································· 8
画法讲解２　画溪谷 ········································ 9
【作品举例】 T 字路／姫路城 ·······························10
中尊寺金色堂／月光 ··························11
宫岛严岛神社／屋久岛 ························12
薄暮／朝渔 ····································13
伊藤昌简历／个人技法要点······························13
用淡墨描绘娇艳的花朵
大月红石 ---------------------------------------------- 14

用具配置／墨的研磨方法／笔 ···························14
调墨重点 ················································14
运笔秘诀　叶子的画法 ··································15
绣球花的叶子／大吴风草的叶子
画法讲解１　画绣球花 ···································16
画法讲解２　画花束 ·······································18
【作品举例】 开始即结束， 结束即开始 ····················19
百合水仙 ······································20
银莲花 ········································21
人偶／花茎甘蓝 ·······························22
车百合 ········································23
大月红石简历／个人技法要点 ···························23
用精妙的笔法再现四季更替的自然之景
冈村南红 ---------------------------------------------- 24
用具配置／墨的研磨方法／笔 ···························24
调墨重点 ················································24
调墨的变化 ··············································25
花瓣的画法／小树枝的画法／树干的画法
画法讲解１　画山茶花 ···································26
画法讲解２　画雪景 ·······································27
画法讲解３　画绣球花 ···································28
【作品举例】 染井吉野樱花 ·································30
玫瑰／池畔 ····································31
牵牛花 ········································32
牡丹 ···········································33
冈村南红简历／个人技法要点 ···························33
追寻墨色之美的源泉
盐泽玉圣 ---------------------------------------------- 34
用具配置／墨的研磨方法／笔 ···························34
调墨重点 ················································34
调墨的变化 ··············································35
从笔的一侧看形成的浓、中、淡三墨状态
从笔的一侧看形成的斜向的浓、中、淡三墨状态
画法讲解１　画小麦 ·······································36
画法讲解２　画富士山 ···································37
【作品举例】 风竹 ··········································39
灵峰 ···········································40
白映 ···········································41
盐泽玉圣简历／个人技法要点 ···························41
墨色之上，寄托时代精神
根岸嘉一郎 --------------------------------------- 42
用具配置／墨的研磨方法／笔 ···························42
调墨重点 ················································42
单侧三墨法 ··············································43
板刷的调墨 ··············································44
画法讲解１　画雪林 ·······································45
画法讲解２　画山脉 ·······································46
【作品举例】 神桥／寂 ······································48
断崖奇景（北山崎）／岬角 ···················49
上高地／春天的渔村 ··························50
玫瑰仿制品 ····································51
根岸嘉一郎简历／个人技法要点 ·························51
多样的创作方法
白浪 ------------------------------------------------------------ 52

用具配置／墨的研磨方法／笔 ···························52
调墨重点　浓淡要分别来画······························52
运笔秘诀　画古树 ·······································54
画法讲解　　画牡丹 ·······································55
【作品举例】 古松 ··········································57
紫藤 ···········································58
石榴 ···········································59
白浪简历／个人技法要点 ································59
探究笔墨的可能性
藤崎千云 ---------------------------------------------- 60

用具配置／墨的研磨方法／笔 ···························60
调墨重点 ················································60
运笔秘诀１　藏锋和露锋 ································61
运笔秘诀２　点点 ·······································62
画法讲解１　画山茶花 ···································63
画法讲解２　画石山 ·······································65
【作品举例】 寒牡丹／秋实 ·································66
彩瞬 ···········································67
云山 ···········································68
溪声 ···········································69
藤崎千云简历／个人技法要点 ···························69
用传统技法表现新主题
藤原六间堂 --------------------------------------- 70
用具配置／墨的研磨方法／笔 ···························70
调墨重点 ················································70
调墨的变化 ··············································71
水分的去除方法／墨的取法①
墨的取法②／水的取法
画法讲解１　画鸡 ··········································72
画法讲解２　画葡萄 ·······································73
【作品举例】白雪皑皑／威尼斯清晨 ·······················75
云和月的对话／白桦林 ························76
无言 ···········································77
藤原六间堂简历／个人技法要点 ·························77
用澄净墨色描绘诗情画意
松井阳水 ---------------------------------------------- 78
用具配置／墨的研磨方法／笔 ···························78
调墨重点 ················································78
画法讲解１　画黄昏的威尼斯 ·························79
画法讲解２　画圣诞玫瑰 ································81
【作品举例】 玫瑰 ··········································83
山茶花／猫头鹰 ·······························84
阵雨 ···········································85
松井阳水简历／个人技法要点 ···························85
水墨画的主要技法 ·······································86
各位画家平时使用的用具和材料 ·························87
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