China's New Voices

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About The Author

Nimrod Baranovitch is Lecturer in Chinese Culture and Society in the Department of East Asian Studies at Haifa University and Research Fellow at the Harry S. Truman Research Institute for the Advancement of Peace at the Hebrew University of Jerusalem.

出版者:University of California Press
作者:Nimrod Baranovitch
出品人:
页数:346
译者:
出版时间:2003-8-1
价格:USD 85.00
装帧:Hardcover
isbn号码:9780520234499
丛书系列:
图书标签:
  • 音乐 
  • 中国 
  • 音乐社会学 
  • 女性主义 
  • 文化研究 
  • 文化 
  • 摇滚乐 
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This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there.

Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music.

keywords: Ethnicity

Contents

List of Illustrations

Preface

Acknowledgments

Introduction

1. China Diversified: An Overview of Popular Music in the Reform Era, 1978–1997

2. The Negotiation of Minority/Majority Identities and Representation in Popular Music Culture

3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality

4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity

Notes

References

Index

具体描述

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感觉可以借鉴其中的analysis的写作部分。这是一部跨学科的分析,加上musicology的一些reference, 但是确实有些部分对中国读者来说是一种叙述,而不是分析。着重看的是masculinity部分,同意1) pursue idealised western masculinity image 2) back to a traditional male image: wen masculinity.

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本科研究生论文都引用到的书,还是来记录一下吧。政治性过于强调了一点,但是鉴于是书出版的年代,还是属于老外看中国里比较客观翔实的一本了。

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不错了

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很套路

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很套路

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