The most famous dance, originally from Ouarzazate<br >and tile linguistic zone of Taselhit (south-western<br >Morocco, comprising a square which includes the<br >western and central Atlas. the Sous valley and the<br >Anti Alias) may be the Hawas, known also as<br >"Berber opera". Up to two hundred persons take<br >part and at the ,,end the rhythms and situations are of<br >collective fl enzy. Generally a great fire is lit at the<br >center of the casbah. The men take place on one side<br >with the women in a semicircle. A man in the center<br >directs the dances and the sound, while the women<br >invoke God. with undulating frenetic movements. In<br >the Tamazigt language area, one of the Berber<br >dialects, another collective dance, the ahidus, has<br >become popular. The principal identifying featm e is<br >the participation of the women with shrill shrieks.<br >Of particular note is the Guedra (the name of an<br >amphora covered with a skin), a desert dance,<br >danced by a single woman. The woman kneels in<br >the center of a circle of men, often wearing a large<br >dark cloak. Generally she is very young, with a<br >black veil which however does not cover her fac~<br >and with silver jewelry braided into her hair. She<br >will continue as if obsessed, with a crescendo of<br >movments of her hips, body, hands, until suddenly<br >she stops. The groups of dancers, the Gnawa, who<br >perform in Place Djemaa el-Fna are also of African,<br >in particular Sudanese, origin.<br >The best way to get at least an idea of Moroccan<br >
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