Amazon.com Nanette Hayes is sassy and brassy， as befits a statuesque street sax player improvising her way through Manhattan， mystery， and murder. After an April in Paris she'd rather forget， Nanette is back in New York， looking for gigs and staking out her favorite corners (without telling her mother， who thinks Nanette is teaching French at NYU). She's hit rock bottom and is crankily content to stay there， when a gift "mojo doll" from Harlem folk artist Ida Williams starts turning her luck around. But when Ida is suddenly shot to death in the middle of Nanette's new uptown gig， the guilt-stricken saxophonist wants to know why. Her investigation takes her from Ida's suspiciously checkered past to the recent murder of Black Hat， a rising young rap star; as Nanette struggles to make sense of these discordant notes， she and her closest friends find themselves whistling in an increasingly threatening dark. Charlotte Carter， who introduced Nanette in Rhode Island Red and followed it up with Coq au Vin， has a hot property in her heroine， whose independence and wry self-deprecation echo Sue Grafton's Kinsey Millhone (N Is for Noose， O Is for Outlaw). Nanette's gleeful sense of the absurd will also have readers thinking of Janet Evanovich's New Jersey bounty hunter Stephanie Plum (High Five， Hot Six). Unfortunately， Carter can't quite match Grafton's ability to weave tricky and disturbing plots， nor Evanovich's razor-sharp， dead-on prose. Drumsticks will satisfy readers eager for more of Nanette's quick tongue and keen wit， but its incoherent plot and half-hearted attention to secondary character development too often detract from its heroine's obvious appeal. Turn off the logic switch in your brain， then， and read for the sheer pleasure of Nanette's voice. --Kelly Flynn From Publishers Weekly African-American sax artist Nanette Hayes， a tough New Yorker， returns for her third gig (following Rhode Island Red and Coq au Vin). Nan is as low as she can go--hitting the booze hard， losing contact with friends and drifting until the gift of a voodoo doll seems to change her luck. An unexpected check and a chance to perform regularly at an upscale jazz club rouse her to seek out the voodoo doll's creator， an older woman named Ida Williams， whom she invites on impulse to hear her play. Her good luck ends in opening-night gunfire that leaves Ida dead. The old woman's checkered past， a vendetta among rap artists and an elaborate scam combine to thrust Nan into a maelstrom of violence. In search of answers， Nan finds that she needs her friends--Aubrey， a beautiful exotic dancer， and Justin， a white， witty drag queen. She also needs the help of both her high school principal father， who left her mother to marry a much younger white woman， and gruff NYPD detective Leman Sweet， who proves to be an unexpected guardian angel. Underneath the street trappings and the jazzy， bold sexuality， Nan seems a nice middle-class gal seeking bohemia who instead finds adventure and romance. If Carter doesn't quite convince with this brash first-person narrative， she does manage to entertain. (Feb.) Copyright 2000 Reed Business Information， Inc. See all Editorial Reviews