仄白 初画集

出版者:文化发展出版社

作者:[日] 仄白

出品人:次元书馆

页数:160

译者:蹬车

出版时间:2020-6-1

价格:78

装帧:平装

isbn号码:9787514229837

具体描述

仄白（原译名：思春期）用独特的色彩，纤细的笔触描绘出梦中的幻想世界，本书收录了在网络平台连载一年的插画作品——“四季之忆”，同时包括珍贵的旧作及近期的创作、未公开的作品、自作解说、制作花絮等等。

粉丝们翘首以盼的初画集，实乃珠玉之作集结！

编辑推荐：

☆ 180°平摊！16开大画集！将日版精美小图放大后的超清制作！

☆ 为超人气网络游戏《刀剑乱舞》做角色设计等领域中活跃的插画师仄白（原笔名：思春期 ホノジロトヲジ）初次作品集。

☆ 插画师仄白（原笔名：思春期）参与设计《刀剑乱舞》中的五虎退、数珠丸恒次、小乌丸等游戏人设。

☆出版过：《RWBY 官方漫画选集》 Vol.4 我燃烧 《OPERA》 vol.59 《瓶詰地獄》《外科室》《美男子作画 ゼロから学ぶプロの技 神技作画シリーズ》

☆独特的色彩，细致的笔触，描绘出梦般的世界。以往在网络上发表的作品都能在此书直接观赏到。

☆本书包含作者本人的作品解释、创作过程的介绍等等，思春期的世界毫不吝啬的收录其中，是受众粉丝期待的首本作品集。

☆本书包含了作者未公开的手稿、PIE COMIC ART上的网络插画合集《四季笔记》，全书由各种原创插画组成。

☆细腻的笔触下描绘的只有美丽虚幻少年的世界，必然是令人沉溺的一本书！

作者简介

仄白 原译名：思春期 自2015年起成为自由插画师，涉猎多个创作领域，包括书籍、网络插画，以及游戏的角色设计。曾参与设计超人气游戏《刀剑乱舞》的五虎退、数珠丸恒次、小乌丸和《山海镜花》共工、祝融、蚩黎等。独特的色彩，细致的笔触，描绘出梦般的世界。

用户评价

The title "仄白 初画集" itself is a work of art, a subtle yet potent invitation. "仄" immediately strikes me as a word of deliberate imperfection, of angles that challenge the viewer's typical perception. It suggests a perspective that is not straight-on, not obvious, but rather nuanced and perhaps even a little elusive. This isn't about presenting the world in its most conventional or easily digestible form. Instead, it hints at an artist who finds beauty in the deviations, in the subtle leanings and unconventional compositions. It speaks of a keen observational skill, an ability to see the extraordinary in the ordinary by simply shifting the angle of view. This single character sets a tone of introspection and intellectual engagement, inviting the reader to look beyond the surface. Then, the inclusion of "白" offers a stark, elegant counterpoint. It suggests purity, emptiness, and a deliberate use of space that is not merely a background but an active element in the composition. In "仄白," these two seemingly contrasting ideas – the oblique and the pure – come together to create a powerful synergy. It implies a carefully balanced aesthetic, where the starkness of white enhances the impact of the slanted forms, or where the subtle curves and angles provide a dynamic energy within a minimalist framework. It’s a sophisticated pairing that hints at a profound understanding of visual harmony, where restraint and dynamism coexist. Finally, "初画集" grounds the entire title in a sense of origin and beginnings. It implies a collection that is foundational, perhaps representing the artist's early explorations, their initial artistic voice, or a significant turning point in their creative journey. The "初" signifies freshness, enthusiasm, and the raw potential of burgeoning talent. This aspect makes the collection feel particularly precious and intimate. It's as if the artist is sharing their nascent vision, their first steps into the art world, or perhaps a new beginning after a period of significant growth. The title, in its entirety, is an enigma that promises a journey into an artist's unique way of seeing, a world built on subtle observation, refined aesthetics, and the earnest spirit of creation. It’s a title that doesn’t give away the content but rather ignites the imagination, making the anticipation of turning the first page almost as compelling as the art itself.

这本书的名字是《仄白 初画集》，看到这个名字，我内心就涌起一股莫名的期待。它不像那种直白地告诉读者“这里有很多美丽的图画”的书名，而是带着一种诗意和些许神秘。 “仄白”，这两个字本身就很有韵味。“仄”字，有着不平、斜、侧的意象，可能暗示着画作中线条的走向，抑或是情感的表达方式，并非一味地顺畅，而是带有一些曲折和内敛。“白”字，则给人以纯净、留白、素雅的感觉，仿佛在画中留下了足够的呼吸空间，让观者自行去填补想象。两者结合，似乎预示着这本画集不仅仅是视觉的呈现，更是一种意境的传达，一种在简洁与复杂、具象与抽象之间寻找平衡的艺术探索。 而“初画集”，则更让我好奇。这是否意味着这是作者“仄白”的第一次画集？是他们艺术生涯的开端，还是某个阶段的总结？如果是初次亮相，那这一定承载了作者最纯粹的热情和最初的艺术理念。这会让我在翻阅时，更加关注作者的初心，去感受那份未经雕琢的灵气和蓬勃的生命力。即便不是第一次，也可能代表着一个全新的开始，一段风格的转变，一次对自我艺术的重新定义。 作为一名读者，我习惯于在翻开一本画集之前，先让书名在脑海中沉淀一番。而《仄白 初画集》恰恰给了我这样的空间。《仄白》的组合， evokes a sense of restrained beauty, a subtle elegance that doesn't shout for attention but rather whispers profound observations. It suggests a delicate touch, a keen eye for detail, and perhaps an inclination towards introspection. The "仄" character, with its connotations of being oblique or slanted, might hint at unconventional perspectives or a departure from the strictly conventional. It’s not a direct, straightforward presentation, but rather something that requires a moment of thoughtful contemplation to fully appreciate. Then comes "初画集". This adds another layer of intrigue. "初" signifies beginnings, the nascent stages of creation. It implies rawness, perhaps a certain vulnerability, but also an unbridled enthusiasm. It could be the artist's very first collection, a foundational statement of their artistic identity. Or, it might represent a new phase, a fresh direction, a re-emergence after a period of growth or experimentation. The anticipation builds – what will this "first" reveal? What seeds of talent are being sown on these pages? Will it be filled with the bold strokes of a burgeoning artist finding their voice, or the thoughtful compositions of someone consciously embarking on a new chapter? The very word "初" carries a sense of potential, of things yet to fully blossom, and this is what makes it so compelling. The title itself, 《仄白 初画集》, doesn't give away the subject matter directly, and that's part of its allure. It's an invitation to discover, to interpret, rather than a pre-packaged narrative. It’s a title that respects the viewer’s intelligence and encourages an active engagement with the artwork. I find myself wondering about the themes the artist might explore within this framework of subtle elegance and new beginnings. Will it be portraits that capture the quiet dignity of their subjects? Landscapes that hint at hidden emotions through their muted palettes and interesting angles? Or perhaps abstract forms that embody the very essence of "仄白" – a balance of stark simplicity and underlying complexity? The ambiguity is a hook, drawing me in to peel back the layers and experience the visual poetry that this title promises. It’s the kind of title that suggests a certain maturity of artistic vision, even if it’s a “初”画集. It’s not about youthful exuberance in the loud, obvious sense, but a more profound, considered emergence. The juxtaposition of "仄" (oblique, slanted) and "白" (white, pure) hints at a deliberate artistic choice, perhaps exploring the interplay of shadow and light, the seen and the unseen, or the subtle deviations from the norm that reveal deeper truths. This title suggests an artist who is not afraid to be nuanced, who understands that true beauty often lies in the understated and the suggestive. And the "初" part, the beginning, makes me think of a foundational work, a statement of intent that is both earnest and promising. It’s like receiving a meticulously crafted invitation to a world that is just starting to unfurl, and I am eager to be among the first to witness its unfolding.

The title, "仄白 初画集," possesses an inherent allure, a subtle invitation that promises more than a mere compilation of images. The word "仄" (zè) itself suggests a deviation from the direct, an inclination towards the oblique or the subtly asymmetrical. This immediately conjures the image of an artist with a discerning eye, one who finds beauty in unconventional angles and nuanced presentations, rather than the straightforward and obvious. It hints at compositions that might carry a quiet drama, a narrative that unfolds through carefully considered deviations from the norm. This single character sets a tone of intellectual curiosity and artistic deliberation, suggesting that the artwork within is intended to be savored and interpreted. The subsequent word, "白" (bái), introduces an element of stark, elegant simplicity. When paired with "仄," it creates a fascinating tension and harmony. "仄白" suggests an aesthetic that embraces both subtlety and clarity, where the deliberate use of white space is not mere background but an integral component that amplifies the impact of the depicted forms. This combination evokes a sense of refined minimalism, where every element is intentionally placed to achieve a balanced yet dynamic visual experience. It speaks to an artist who understands the power of restraint, where the unadorned purity of white serves to highlight the nuanced inclinations of the "仄" elements, creating a profound visual dialogue. The concluding phrase, "初画集," imbues the entire title with a sense of origin and nascent creativity. "初" signifies a beginning, a foundational offering, perhaps the artist's very first collection or a significant early statement of their artistic voice. This aspect lends a particular intimacy and significance to the work, suggesting a glimpse into the artist's formative vision and their earnest exploration of their craft. It's like being granted privileged access to the genesis of an artistic journey. Therefore, the title "仄白 初画集" acts as a sophisticated promise, hinting at a visual exploration that is both intellectually engaging and aesthetically refined, born from a unique perspective and the compelling spirit of artistic beginnings.

The title "仄白 初画集" itself is a carefully crafted invitation, hinting at a world of visual artistry that is both sophisticated and deeply personal. The word "仄" immediately captures my attention. It suggests a slant, an obliqueness, a departure from the straightforward and the expected. This implies an artist who observes the world with a discerning eye, finding beauty not in the direct gaze but in the subtle shifts, the unconventional angles, and the nuances that might otherwise be overlooked. It hints at a deliberate choice to frame subjects in a way that encourages contemplation, that reveals hidden layers of meaning through its unique perspective. It's a word that promises a certain intellectual depth, an artist unafraid to challenge conventional viewpoints. Paired with "白," the pure, the uncluttered, the "仄白" creates a compelling duality. It suggests an aesthetic that embraces simplicity and clarity, where the starkness of white space is not emptiness but a deliberate choice that amplifies the impact of the forms presented. This combination evokes a sense of refined elegance, where the subtle inclinations of the "仄" are given room to breathe and exert their influence within a field of pristine purity. It speaks of a masterful control over composition, where the interplay of form and void, presence and absence, is thoughtfully orchestrated to create a harmonious yet dynamic visual experience. The inclusion of "初画集" adds a vital layer of context and anticipation. "初" signifies a beginning, a genesis, suggesting that this collection represents the artist's early explorations, their foundational vision, or a pivotal moment in the unfolding of their artistic identity. The word "初" imbues the work with a sense of freshness, of raw talent, and perhaps a certain earnest vulnerability. It's like being invited to witness the very genesis of an artist's creative journey, to see the seeds of their talent taking root. The title, in its entirety, is an evocative poem, a promise of subtle beauty, unconventional perspectives, and the compelling narrative of artistic beginnings, drawing the reader in with its understated sophistication and intellectual allure.

Reading the title "仄白 初画集" immediately sparks a sense of quiet contemplation. The word "仄" (zè) itself, meaning oblique, slanted, or even dissonant, suggests a departure from the straightforward, the expected. It hints at perspectives that might be unconventional, compositions that lean into asymmetry, or perhaps emotions that are not overtly expressed but subtly conveyed. This isn't a title that screams for attention; it’s one that draws you in with a gentle, insistent curiosity. It suggests an artist who observes the world from a unique vantage point, who finds beauty in the less obvious angles, and who might explore the nuances of human experience through a less direct, more evocative approach. Paired with "白" (bái), meaning white, pure, or blank, the combination "仄白" creates a fascinating dichotomy. It evokes images of starkness, of emptiness that is not void but pregnant with possibility. It speaks of a refined aesthetic, perhaps a minimalist sensibility, where every element is carefully considered and placed. The white space might serve as a canvas for the imagination, allowing the viewer's own thoughts and feelings to interact with the artwork. It suggests a deliberate use of restraint, where what is *not* depicted can be as powerful as what *is*. This interplay between the subtle obliqueness and the purity of white promises a visual language that is both sophisticated and deeply resonant. Then, the addition of "初画集" (chū huàjí), meaning "first collection of paintings," adds another layer of anticipation. It implies a foundational work, a statement of artistic identity at a pivotal moment. Is this the artist's debut? Or a collection marking a significant new direction? The word "初" carries with it a sense of freshness, of raw talent, and perhaps a certain vulnerability. It suggests that these works are imbued with the artist's earliest passions, their nascent visions, and their initial explorations of their chosen medium. This makes the collection feel precious, a glimpse into the very roots of their creative journey. The title, in its entirety, feels like an invitation to witness the unveiling of something authentic and deeply personal, a testament to an artist finding their voice and sharing their unique perspective on the world. It's a title that promises depth and discovery, and I am intrigued to see what lies within.

The title "仄白 初画集" is like a carefully chosen key, unlocking a door to a world of visual artistry that promises to be both intriguing and deeply personal. The word "仄," with its connotations of being oblique, slanted, or not straightforward, immediately sets a tone of subtle complexity. It suggests an artist who sees the world from a slightly different angle, who finds narrative not in the obvious, but in the nuanced deviations and unconventional framing. This isn't about depicting things as they are, but as they are perceived through a unique lens, hinting at a deeper emotional or intellectual resonance. It implies a deliberate artistic choice to challenge the viewer's usual way of looking, to invite them into a more contemplative state. Coupled with "白," the pure, the unadorned, the title "仄白" creates a striking juxtaposition. It speaks of a refined aesthetic, where simplicity is not emptiness but a powerful canvas. The white space isn't just passive; it actively enhances the forms and lines that are presented, making them stand out with greater clarity and impact. This combination suggests an artist who understands the power of restraint, who knows that what is left out can be as significant as what is included. It evokes a sense of elegant balance, where the subtle inclinations of the "仄" are given room to breathe and exert their influence within a field of pristine clarity. And then, "初画集." This part of the title adds a vital layer of context, signifying a beginning, a genesis. It suggests that these are the foundational works, perhaps the artist's very first collection, or a significant step in defining their artistic identity. The "初" imbues the collection with a sense of freshness, of raw talent, and perhaps a certain earnestness. It's like being invited to witness the seed of something beautiful, to see the initial stirrings of a creative spirit. This aspect makes the collection feel incredibly precious and intimate, a glimpse into the artist's formative vision. The title, in its entirety, is an evocative poem in itself, a promise of subtle beauty, unconventional perspectives, and the compelling journey of artistic beginnings. It’s a title that whispers rather than shouts, drawing the reader in with its quiet sophistication and intellectual promise.

The nomenclature, "仄白 初画集," immediately conjures a distinct mood, a sense of refined subtlety that promises more than just a collection of images. The word "仄" (zè), meaning oblique, slanted, or even dissonant, suggests a conscious departure from the conventional. It hints at an artist who doesn't necessarily present subjects in their most straightforward, predictable manner. Instead, there's an implication of a unique perspective, a deliberate choice to frame things from an unconventional angle, perhaps revealing hidden complexities or understated beauty. This word alone suggests a certain intellectual engagement, an invitation for the viewer to look closer, to ponder the composition and the underlying intent. It’s not about a blunt force of visual communication but a more nuanced, suggestive approach. Following this, "白" (bái), symbolizing white, purity, or even blankness, introduces a counterpoint of immense elegance. The pairing of "仄" and "白" creates a fascinating tension – the oblique, perhaps with its inherent complexity, set against the stark simplicity and clarity of white. This suggests a masterful control over composition, where negative space plays a crucial role, amplifying the impact of the depicted forms. It speaks to an aesthetic that values restraint, where every line, every shadow, and every form is placed with deliberate purpose within a clean, uncluttered visual field. The "白" doesn't just serve as a backdrop; it becomes an active participant, enhancing the "仄" elements through contrast and emphasis. The final component, "初画集," adds a layer of personal significance and anticipation. "初" signifies a beginning, a genesis, perhaps the artist's inaugural collection. This imbues the work with a sense of raw potential, unadulterated vision, and the earnest spirit of creation. It’s an invitation to witness the artist’s formative style, their initial explorations, or a pivotal moment in their artistic development. This aspect lends a particular intimacy to the collection, suggesting a deep dive into the artist's early passions and their nascent artistic voice. The title, 《仄白 初画集》, as a whole, doesn't spoon-feed the reader; instead, it crafts an aura of thoughtful artistry, promising a visual experience that is both intellectually stimulating and aesthetically refined, born from a unique perspective and a pure, foundational vision.

The title "仄白 初画集" immediately sparks curiosity due to its unique phrasing. "仄," meaning oblique or slanted, suggests a departure from the ordinary, a perspective that isn't always direct or conventional. This implies an artist who sees the world through a distinctive lens, finding beauty in less obvious angles and subtle nuances. It hints at compositions that might be deliberately off-kilter, creating a dynamic tension or drawing the viewer's eye in unexpected directions. The word itself evokes a sense of intellectual engagement, prompting contemplation about the artist's chosen viewpoint and the narrative it might unfold. It's not a title that shouts for attention, but rather one that whispers an invitation to discover something unique. The addition of "白," signifying purity, emptiness, or white, creates a fascinating contrast and complement to "仄." This juxtaposition suggests an aesthetic that values simplicity and clarity, where negative space plays a crucial role in enhancing the impact of the depicted elements. The "仄白" combination evokes a sense of refined elegance, where starkness is balanced by subtle inclinations, and where the pristine quality of the white amplifies the significance of the forms presented. It speaks to a sophisticated understanding of composition, where deliberate absence is as powerful as presence, and where the interplay of light and shadow, form and void, is masterfully handled. This pairing promises a visual experience that is both serene and dynamic. Finally, the inclusion of "初画集" grounds the title in a sense of origin and early creation. "初" signifies a beginning, a foundational collection, perhaps the artist's first significant foray into presenting their work. This adds a layer of personal significance and anticipation, suggesting that these pieces are imbued with the artist's nascent vision, raw talent, and the earnest spirit of their creative journey. It's like being invited to witness the very genesis of an artistic voice. The title, as a whole, is an enigmatic promise of subtle beauty, unconventional perspectives, and the compelling narrative of artistic beginnings, making one eager to delve into the pages and experience the visual poetry it suggests.

The very name, "仄白 初画集," resonates with a quiet elegance that immediately sets it apart from more conventional titles. "仄" (zè) introduces an element of subtle intrigue; it suggests a deviation from the straight and narrow, a leaning into unexpected angles, or a perspective that is perhaps less direct but more evocative. This hints at an artist who observes the world with a discerning eye, who finds beauty in the unconventional, and whose compositions might carry a certain quiet drama through their deliberate asymmetry or nuanced forms. It’s a word that speaks of a mind that isn’t content with the obvious, but seeks out the deeper, less immediately apparent truths. Then, the stark simplicity of "白" (bái) offers a profound counterpoint. It suggests purity, emptiness, and a deliberate use of negative space that is not merely background but an active element within the artwork. The conjunction of "仄" and "白" creates a powerful duality – the dynamic, potentially complex nature of the slanted or oblique forms are given a stage of pristine clarity. This pairing evokes an aesthetic that is both sophisticated and deeply resonant, where the subtle leanings are amplified by the surrounding expanse, and where every line and shape feels intentionally placed, contributing to a harmonious, yet dynamic, whole. It implies a mastery of composition, where restraint and expression are perfectly balanced. The final part of the title, "初画集," imbues the collection with a sense of origin and nascent energy. "初" signifies a beginning, a foundational statement of the artist's vision. This suggests a collection that is deeply personal, perhaps representing their earliest explorations or a pivotal moment in the development of their unique artistic voice. The word "初" carries with it a sense of freshness, of unadulterated passion, and the exciting promise of growth. It’s like being given access to the very genesis of an artist's creative journey. Together, "仄白 初画集" forms a title that is not merely descriptive but evocative, hinting at a world of subtle observation, refined beauty, and the compelling spirit of artistic beginnings, drawing the reader in with its understated sophistication.

The name "仄白 初画集" carries a distinctive weight, a subtle gravitas that immediately sets it apart. "仄," meaning oblique or slanted, suggests a deliberate deviation from the norm, a chosen perspective that might be more intriguing precisely because it isn't perfectly aligned. It conjures images of shadows playing on surfaces, of unexpected angles in familiar scenes, or of emotions that are felt rather than overtly stated. This word alone implies an artist who sees the world with a nuanced eye, who finds narrative in the subtle shifts and subtle imperfections, and who isn't afraid to explore the less traveled paths of visual expression. It's a word that promises a certain sophistication, a quiet confidence in its own distinctiveness. Combined with "白," the pure, the unadorned, "仄白" creates a compelling contrast. It evokes a sense of spaciousness, of clarity, perhaps even a deliberate use of negative space that amplifies the impact of the forms presented. It speaks of a refined aesthetic, where simplicity is not emptiness but a carefully curated absence that allows for greater focus and deeper contemplation. Imagine a stark white canvas with a single, elegantly slanted line – the impact of that line is magnified by its surroundings. This duality hints at an artist who understands the power of both presence and absence, of the bold stroke and the gentle whisper. And then, "初画集." This final piece of the title signifies a beginning, a foundational offering. It suggests a collection that is deeply personal, perhaps a snapshot of the artist's formative years or the initial stages of their mature artistic voice. The "初" implies a rawness, an unadulterated expression of vision, but also a promise of future growth and evolution. It's like being invited to witness the seed of something beautiful, to see the very first bloom. This aspect adds a layer of intimacy and vulnerability to the title, making the reader feel like they are being entrusted with something precious. The entire title, 《仄白 初画集》, feels less like a label and more like a carefully crafted haiku, hinting at a world of quiet observation, refined beauty, and the earnest beginnings of artistic discovery. It’s a title that doesn’t reveal all, but rather invites a deeper exploration, promising an experience that is both intellectually stimulating and emotionally resonant. It’s the kind of title that makes you want to pick up the book immediately, eager to unravel the visual poetry it suggests.

很有特色的阴诡繁复的风格……装帧不错，引进版本画集如此实惠不支持一下说不过去。

负责引进出版的第一本画集，非常开心是思春期太太的初画集，如我所愿地放大了开本，装帧也变成了锁线（可以平摊了），而且日版大概140-170元，简中版只有50多元就可以买到，还赠五张珠光明信片。能被更多同好喜欢，那就太好了。

很有特色的阴诡繁复的风格……装帧不错，引进版本画集如此实惠不支持一下说不过去。

很有特色的阴诡繁复的风格……装帧不错，引进版本画集如此实惠不支持一下说不过去。

负责引进出版的第一本画集，非常开心是思春期太太的初画集，如我所愿地放大了开本，装帧也变成了锁线（可以平摊了），而且日版大概140-170元，简中版只有50多元就可以买到，还赠五张珠光明信片。能被更多同好喜欢，那就太好了。