Published for the exhibition in Milan between March 4th and June 29th, 2008, this catalog offers a selection of approximately sixty works by Bacon. The collection spans his works from his first paintings in the 1930s, which reveal how early he was attracted to a figure’s deformation and ambiguity, to his late triptychs, in which the artist’s existential torment seems to move towards a suffered serenity. This publication includes important contributions from leading international scholars as well as technical information on all the exhibition works. Artworks are gathered from such prestigious museums as the Centre Pompidou in Paris, the Neue Nationalgalerie in Berlin, the Kunsthaus in Zurich, the Israel Museum in Jerusalem, the Birmingham Museum, the Sara Hilden Museum in Tampere, the Fondazione Beyeler in Basel, the Museo de Arte Contemporanea in Caracas, the Toyota Municipal Museum in Aichi, and the National Gallery of Australia in Canberra. The publication also includes a series of documents—drawings, photographs, and works on paper such as collages and retouched photographs—from the Dublin City Gallery.
發表於2024-11-29
Bacon 2024 pdf epub mobi 電子書 下載
圖書標籤: 繪畫 畫冊 bacon 現代 專業/畫集
#補標 2019#
評分#補標 2019#
評分培根對情人下頜綫的癡迷簡直天地可鑒。其他肖像的麵部都無一不如車輪碾過,隻有肉沒有骨,唯有Dyer的側像,下巴總是一筆清晰堅毅的綫。Dyer在那張著名照片裏的側臉被他反復摹寫,生前死後,有時甚至能明顯看得齣頭身分離,畫傢對其全部肉體、欲望、生死和圖像的狂戀和占有是如此鮮活和暴力。此前似乎從未見過培根的風景畫(?),那幅大象涉水竟如此不可思議地平靜。
評分skira的培根畫作 雖然陸續入瞭skira和steidl的兩部培根大部頭 但我始終不喜歡他的抽象和模糊 按照藝術史的定論 他上承的是梵高 同級與好友freud互施影響 下接的是大衛林奇那種常被懷疑為藝術投機分子的畫麵錶達欲 對freud作品的喜愛使我覺得這個源流十分奇怪 它有一種讓林奇主義來進行總結的傾嚮:不是夢 也不是現實 或許是其間的灰色地帶 但至少因為年代緣故 比後來者的肆意要隱晦、緩和得多——因此這也是過渡期不得不提的人物之一
評分skira的培根畫作 雖然陸續入瞭skira和steidl的兩部培根大部頭 但我始終不喜歡他的抽象和模糊 按照藝術史的定論 他上承的是梵高 同級與好友freud互施影響 下接的是大衛林奇那種常被懷疑為藝術投機分子的畫麵錶達欲 對freud作品的喜愛使我覺得這個源流十分奇怪 它有一種讓林奇主義來進行總結的傾嚮:不是夢 也不是現實 或許是其間的灰色地帶 但至少因為年代緣故 比後來者的肆意要隱晦、緩和得多——因此這也是過渡期不得不提的人物之一
Bacon 2024 pdf epub mobi 電子書 下載