As the nineteenth century became the twentieth and the dangers of rampant nationalism became more evident, people throughout the world embraced the idea that a new spirit of internationalism might be fostered by better communication and understanding among notions. Cultural internationalism came into its own after the end of World War I, when intellectuals and artists realized that one way of forging a stable and lasting international peace was to encourage international cultural exchange and cooperation. In Cultural Internationalism and World Order, noted historian Akira Iriye shows how widespread and serious a following this idea had. He describes a surprising array of efforts to foster cooperation, from the creation of an international language to student exchange programs, international lecture circuits, and other cultural activities. But he does not overlook the tensions the movement encountered with the real politics of the day, including the militarism that led up to the World War I, the rise of extreme strains of nationalism in Germany and Japan before World War II, and the bipolar rivalries of the Cold War. Iriye concludes that the effort of cultural internationalism can only be appreciated only in the context of world politics. A lasting and stable world order, he argues, cannot rely just on governments and power politics; it also depends upon the open exchange of cultures among peoples in pursuing common intellectual and cultural interests.
發表於2024-11-28
Cultural Internationalism and World Order 2024 pdf epub mobi 電子書 下載
圖書標籤: 曆史 AkiraIriye lund Takada-L-F SILS-L-J Iriye IR Akira
有關internationalism和ColdWar以及Third World崛起之間關係的分析並不認同;當然國際關係史也許不用管那麼多。。。
評分兩個可以批判一下的點:1. 學者從文化角度去研究世界的話,很容易成為一些現象、信息的錶麵堆砌,所謂“書齋型寫作”,而不能深入個體生活中;2. 一本有著“大論點”的曆史研究書,很容易一上來的引言和第一章把核心觀點都錶達完,後麵章節變成重復的事實論證(《東方學》也是這樣)。總的來說,這本書從內容上看,核心觀點超級棒,有好多可以引用的地方。但是從“寫作”作為認識和迴應世界的方法論上,上述兩點對這本書的批判其實特彆提醒我自己:1. 要在實踐中(比如拍紀錄片哈哈)麵對個體經驗,纔能更好地用寫作進一步呈現。2. 寫作時要層層遞進,章節間不能隻是簡單的時間或話題並置關係,要有內在邏輯。要學的還有很多!
評分兩個可以批判一下的點:1. 學者從文化角度去研究世界的話,很容易成為一些現象、信息的錶麵堆砌,所謂“書齋型寫作”,而不能深入個體生活中;2. 一本有著“大論點”的曆史研究書,很容易一上來的引言和第一章把核心觀點都錶達完,後麵章節變成重復的事實論證(《東方學》也是這樣)。總的來說,這本書從內容上看,核心觀點超級棒,有好多可以引用的地方。但是從“寫作”作為認識和迴應世界的方法論上,上述兩點對這本書的批判其實特彆提醒我自己:1. 要在實踐中(比如拍紀錄片哈哈)麵對個體經驗,纔能更好地用寫作進一步呈現。2. 寫作時要層層遞進,章節間不能隻是簡單的時間或話題並置關係,要有內在邏輯。要學的還有很多!
評分有關internationalism和ColdWar以及Third World崛起之間關係的分析並不認同;當然國際關係史也許不用管那麼多。。。
評分兩個可以批判一下的點:1. 學者從文化角度去研究世界的話,很容易成為一些現象、信息的錶麵堆砌,所謂“書齋型寫作”,而不能深入個體生活中;2. 一本有著“大論點”的曆史研究書,很容易一上來的引言和第一章把核心觀點都錶達完,後麵章節變成重復的事實論證(《東方學》也是這樣)。總的來說,這本書從內容上看,核心觀點超級棒,有好多可以引用的地方。但是從“寫作”作為認識和迴應世界的方法論上,上述兩點對這本書的批判其實特彆提醒我自己:1. 要在實踐中(比如拍紀錄片哈哈)麵對個體經驗,纔能更好地用寫作進一步呈現。2. 寫作時要層層遞進,章節間不能隻是簡單的時間或話題並置關係,要有內在邏輯。要學的還有很多!
Cultural Internationalism and World Order 2024 pdf epub mobi 電子書 下載