Gaston Louis Alfred Leroux (6 May 1868, Paris, France – 15 April 1927) was a French journalist and author of detective fiction.
In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.
Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.
He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.
When the new managers of the Paris Opera House ignore their predecessors warnings about the hideous Opera ghost stalking the theatre, it is a fatal mistake. Tortured by unrequited love for the beautiful young singer Christine Daae, the mysterious figure living in the depths beneath them has been awaiting his chance to strike. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the phantom s time has come. Filled with colour and theatrical spectacle, this thrilling gothic tale has enthralled readers with its mystery, eerie suspense and tragic story of love turned into deadly obsession.
發表於2025-01-01
The Phantom of the Opera 2025 pdf epub mobi 電子書 下載
關於劇院建築構造的一切真假難辨,隻想親自去巴黎劇院一探究竟。8年前開始迷上音樂劇《歌劇魅影》,直到現在纔讀瞭原著,讀的過程中會自然想象音樂劇的情景。當然,也有很多東西是音樂劇布景無法展現的,很多憎惡、恐懼感和懸念也是音樂劇不曾著重渲染的。音樂劇的魅力...
評分三天看完瞭《歌劇魅影》,在工作時期,在某個慵懶的午後,用我的手機看完瞭這部小說。在開始看之前就已經有些預兆,我的自覺告訴我,這會是一部奇幻的書,情節上肯定不會輸,肯定不是那種三流的言情小說,以用來賺取讀者的眼淚。隻是書中也是以一條主綫展開,那就是愛情。 子爵...
評分三天看完瞭《歌劇魅影》,在工作時期,在某個慵懶的午後,用我的手機看完瞭這部小說。在開始看之前就已經有些預兆,我的自覺告訴我,這會是一部奇幻的書,情節上肯定不會輸,肯定不是那種三流的言情小說,以用來賺取讀者的眼淚。隻是書中也是以一條主綫展開,那就是愛情。 子爵...
評分三天看完瞭《歌劇魅影》,在工作時期,在某個慵懶的午後,用我的手機看完瞭這部小說。在開始看之前就已經有些預兆,我的自覺告訴我,這會是一部奇幻的書,情節上肯定不會輸,肯定不是那種三流的言情小說,以用來賺取讀者的眼淚。隻是書中也是以一條主綫展開,那就是愛情。 子爵...
評分圖書標籤: 歌劇魅影 英文原版 英文 Opera 小說 原版 L'amour 編劇的藝術
在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分大學時候和室友一起看瞭電影,當時感覺電影非常具有戲劇性,沒想到多年以後竟然讀瞭原版小說,感覺比電影要差一些,主要是其中部分情節太離奇,有點超越理解範圍
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分大學時候和室友一起看瞭電影,當時感覺電影非常具有戲劇性,沒想到多年以後竟然讀瞭原版小說,感覺比電影要差一些,主要是其中部分情節太離奇,有點超越理解範圍
The Phantom of the Opera 2025 pdf epub mobi 電子書 下載