Gaston Louis Alfred Leroux (6 May 1868, Paris, France – 15 April 1927) was a French journalist and author of detective fiction.
In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.
Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.
He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.
When the new managers of the Paris Opera House ignore their predecessors warnings about the hideous Opera ghost stalking the theatre, it is a fatal mistake. Tortured by unrequited love for the beautiful young singer Christine Daae, the mysterious figure living in the depths beneath them has been awaiting his chance to strike. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the phantom s time has come. Filled with colour and theatrical spectacle, this thrilling gothic tale has enthralled readers with its mystery, eerie suspense and tragic story of love turned into deadly obsession.
發表於2024-11-25
The Phantom of the Opera 2024 pdf epub mobi 電子書 下載
關於劇院建築構造的一切真假難辨,隻想親自去巴黎劇院一探究竟。8年前開始迷上音樂劇《歌劇魅影》,直到現在纔讀瞭原著,讀的過程中會自然想象音樂劇的情景。當然,也有很多東西是音樂劇布景無法展現的,很多憎惡、恐懼感和懸念也是音樂劇不曾著重渲染的。音樂劇的魅力...
評分”姑娘啊,愛我吧。把眼睛挖下來愛我吧。略過那皮囊來看我的心吧。你是否遲疑,惡心,不願意?那我又何必可惜你?“第一個艾瑞剋這樣想。剋裏斯汀不是對的人,他可能憤怒或者悲傷,那是他的事情。 第二個艾瑞剋不介意剋裏斯汀的心在哪裏,但是他嫌棄她瞎眼,或許他比較看得開...
評分法國作傢加斯東•勒魯的小說《歌劇魅影》,其實原本要說的是一個下水道怪物的故事。 時值1870年,住在巴黎歌劇院地下迷宮的醜陋“幽靈”艾瑞剋,有一張奇形怪狀、慘白而醜陋的麵孔。他從小就被嫌惡拋棄,跟隨馬戲團遊曆過歐洲,後穿越亞洲,在波斯王宮任職,從小亞細亞到達...
評分從Majestic Theater迴來後就一直很想收音頻以及把原著讀一遍。 從現場音樂劇,到25周年紀念版,到各個版本的the Phantom of Opera選段比較,到2004電影版,再到原著,雖然時間綫上其實不太符閤,但原著用的是考據的寫法,這樣的順序歪打正著倒很閤適。 本以為關於關於歌劇魅...
評分圖書標籤: 歌劇魅影 英文原版 英文 Opera 小說 原版 L'amour 編劇的藝術
大學時候和室友一起看瞭電影,當時感覺電影非常具有戲劇性,沒想到多年以後竟然讀瞭原版小說,感覺比電影要差一些,主要是其中部分情節太離奇,有點超越理解範圍
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分經典愛情故事,經典恐怖愛情故事
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分大學時候和室友一起看瞭電影,當時感覺電影非常具有戲劇性,沒想到多年以後竟然讀瞭原版小說,感覺比電影要差一些,主要是其中部分情節太離奇,有點超越理解範圍
The Phantom of the Opera 2024 pdf epub mobi 電子書 下載