Gaston Louis Alfred Leroux (6 May 1868, Paris, France – 15 April 1927) was a French journalist and author of detective fiction.
In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.
Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.
He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.
When the new managers of the Paris Opera House ignore their predecessors warnings about the hideous Opera ghost stalking the theatre, it is a fatal mistake. Tortured by unrequited love for the beautiful young singer Christine Daae, the mysterious figure living in the depths beneath them has been awaiting his chance to strike. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the phantom s time has come. Filled with colour and theatrical spectacle, this thrilling gothic tale has enthralled readers with its mystery, eerie suspense and tragic story of love turned into deadly obsession.
發表於2025-03-05
The Phantom of the Opera 2025 pdf epub mobi 電子書 下載
法國作傢加斯東•勒魯的小說《歌劇魅影》,其實原本要說的是一個下水道怪物的故事。 時值1870年,住在巴黎歌劇院地下迷宮的醜陋“幽靈”艾瑞剋,有一張奇形怪狀、慘白而醜陋的麵孔。他從小就被嫌惡拋棄,跟隨馬戲團遊曆過歐洲,後穿越亞洲,在波斯王宮任職,從小亞細亞到達...
評分魅影埃利剋[我更想叫他"音樂天使"]是一個從小就因為外貌而被人們取笑的孩子,雖然被潔莉夫人救瞭齣來,但是還是對人們有著深深的仇恨。這點跟由於生活窮睏潦倒而被人們無比鄙視的“畫傢”希特勒有幾分相似之處。 同樣是因為受人們鄙視而對世人的仇恨,但不同的是魅...
評分《劇院魅影》的Eric是個悲劇式的人物,天縱奇纔,但因為可怖的外錶而得不到親情,也得不到心心念念的愛人Christine,最後在愛而不得的感傷中去世。Eric對波斯人說“我快死瞭,我因為愛情而死。”雖然,最後Eric是因病而死還是為情自殺不得而知,但劇院幽靈真的死瞭,Christine...
評分魔鬼與天使,是完全對立的兩麵,可是就有人能夠同時成為魔鬼與天使,埃裏剋,這個隱藏於地下宮殿的音樂天纔、建築天纔即是代錶。 毫無疑問,讀完《歌劇魅影》之後的心情並不是很輕鬆的。我不認為親愛的女主角剋裏斯蒂娜嫁給瞭拉烏爾子爵,而所謂的“魅影”埃裏剋鬱鬱而終這個結...
評分三天看完瞭《歌劇魅影》,在工作時期,在某個慵懶的午後,用我的手機看完瞭這部小說。在開始看之前就已經有些預兆,我的自覺告訴我,這會是一部奇幻的書,情節上肯定不會輸,肯定不是那種三流的言情小說,以用來賺取讀者的眼淚。隻是書中也是以一條主綫展開,那就是愛情。 子爵...
圖書標籤: 歌劇魅影 英文原版 英文 Opera 小說 原版 L'amour 編劇的藝術
經典愛情故事,經典恐怖愛情故事
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
評分在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!
The Phantom of the Opera 2025 pdf epub mobi 電子書 下載