Beginning several generations before Schubert, the Lied first appears as domestic entertainment and was to move beyond the home to the symphony hall. This is the first introductory chronicle of this fascinating genre and places the Lied in its full context--at once musical, literary, and cultural--with chapters devoted to focal composers, influence of the Lied on other musical genres, use as a musical commodity, and issues of performance. The volume is framed by a chronology and also contains a comprehensive bibliography.
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