Born in the Kingdom of Fife in 1960, Ian Rankin graduated from the University of Edinburgh in 1982, and then spent three years writing novels when he was supposed to be working towards a PhD in Scottish Literature. His first Rebus novel was published in 1987, and the Rebus books are now translated into twenty-two languages and are bestsellers on several continents.

Ian Rankin has been elected a Hawthornden Fellow, and is also a past winner of the Chandler-Fulbright Award, as well as receiving two Dagger Awards for the year's best short story and the Gold Dagger for Fiction. He has also been shortlisted for the Edgar and Anthony Awards in the USA, and won Denmark's Palle Rosenkrantz Prize in 2000. Ian Rankin is also the recipient of honorary degrees from the universities of Abertay, St Andrews and Edinburgh.

A contributor to BBC2's 'Newsnight Review', he also presented his own TV series, 'Ian Rankin's Evil Thoughts', on Channel 4 in 2002. His most recent novel, A QUESTION OF BLOOD, was a Sunday Times Number One bestseller in both hardback and paperback. He recently received the OBE for services to literature, opting to receive the prize in his home city of Edinburgh, where he lives with his partner and two sons.

An illegal immigrant is found murdered in an Edinburgh housing scheme: a racist attack, or something else entirely? Rebus is drawn into the case, but has other problems: his old police station has closed for business, and his masters would rather he retire than stick around. But Rebus is that most stubborn of creatures. As Rebus investigates, he must visit an asylum seekers' detention centre, deal with the sleazy Edinburgh underworld, and maybe even fall in love...Siobhan meanwhile has problems of her own. A teenager has disappeared from home and Siobhan is drawn into helping the family, which will mean travelling closer than is healthy towards the web of a convicted rapist. Then there's the small matter of the two skeletons - a woman and an infant - found buried beneath a concrete cellar floor in Fleshmarket Close. The scene begins to look like an elaborate stunt - but whose, and for what purpose? And how can it tie to the murder on the unforgiving housing-scheme known as Knoxland?