Famous and seductive, female stage performers haunted French public life in the century before and after the Revolution. This study delineates the distinctive place of actresses, dancers, and singers within the French erotic and political imaginations. From the moment they became an unofficial caste of mistresses to France's elite during the reign of Louis XIV, their image fluctuated between emasculating men and delighting them. Drawing upon newspaper accounts, society columns, theatre criticism, government reports, autobiographies, public rituals, and a huge corpus of fiction, Lenard Berlanstein argues that the public image of actresses was shaped by the political climate and ruling ideology; thus they were deified in one era and damned in the next. Tolerated when civil society functioned and demonized when it faltered, they finally passed from notoriety to celebrity with the stabilization of parliamentary life after 1880. Only then could female fans admire them openly, and could the state officially recognize their contributions to national life. "Daughters of Eve" aims to present a provocative look at how a culture creates social perceptions and reshuffles collective identities in response to political change.
具體描述
讀後感
用戶評價
書裏麵關於一手材料的注釋和分析很有用，不過用的二手材料略顯古舊啊......
评分書裏麵關於一手材料的注釋和分析很有用，不過用的二手材料略顯古舊啊......
评分書裏麵關於一手材料的注釋和分析很有用，不過用的二手材料略顯古舊啊......
评分書裏麵關於一手材料的注釋和分析很有用，不過用的二手材料略顯古舊啊......
评分書裏麵關於一手材料的注釋和分析很有用，不過用的二手材料略顯古舊啊......
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有