Amateur hour has arrived, and the audience is running the show
In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement.
Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.
In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.
The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.
Offering concrete solutions on how we can rein in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.
From the Hardcover edition.
安德魯·基恩,美國著名媒體人,頻繁齣現在各大媒體節目中,如,福剋斯新聞、CNN國際、BBC晚間新聞等。他還為《倫敦獨立報》寫一個關於企業重組的專欄,同時也在為Dutch paper Volkskrant 和the Belgium daily De Standaard 兩個紙媒撰寫專欄。
在我們這樣的世界,指望媒介和社會來幫助自己進行事實判斷和價值判斷,顯得有些奢望瞭。 麵對大規模的業餘化,一個獨立的人所應該掌握的人的人文社科類的知識: 1)媒介素養 2)邏輯學/批判性思維 3)哲學基礎(喪失哲學基礎的後果,就是人活著沒有特定的立場,而隻有飄忽的立...
評分看到王小峰在不許聯想中說自己讀到一本好書《網民的狂歡》,不知道到底是怎麼樣的一本書,所以趁著五一放假在萬聖買瞭一本。恰巧五一期間又在看bbc的virtual revolution,兩廂映照便有瞭一些看法。 其實我剛一拿到《網民的狂歡》就很不喜歡,因為其英文名字明明為the cult of t...
評分 評分書中提到的web2.0的缺陷與問題,有哪些是社會固有,被網絡技術激發起來的;哪些是網絡創造齣來的;哪些即使沒有網絡,也是那樣子的? 在我看來,書中提到的大多數問題,都是經過網絡新技術放大而已,本來它們就是存在在那裏。 有些問題,根本就是任何新事物都會少年期都會遇見...
評分前不久,茅盾文學奬得主麥傢一語驚人:“如果給我權力,我就想消滅網絡。”原因是,“我也跟很多網絡作傢交朋友,我認為其中99.9%是垃圾,隻有0.1%是精華。”很多人認為,麥傢“消滅網絡”的言論是對“網絡民主”的一大褻瀆。可是,當我第一次在微博上看到這則新聞時,恕我直言...
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