Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, “Do you know ‘Body and Soul’?”—and from there the subtle craft of playing the jazz repertoire is tested in front of a live audience. These ordinary musicians may never have played together—they may never have met—so how do they smoothly put on a show without getting booed offstage.
In “Do You Know . . . ?” Robert R. Faulkner and Howard S. Becker—both jazz musicians with decades of experience performing—present the view from the bandstand, revealing the array of skills necessary for working musicians to do their jobs. While learning songs from sheet music or by ear helps, the jobbing musician’s lexicon is dauntingly massive: hundreds of thousands of tunes from jazz classics and pop standards to more exotic fare. Since it is impossible for anyone to memorize all of these songs, Faulkner and Becker show that musicians collectively negotiate and improvise their way to a successful performance. Players must explore each others’ areas of expertise, develop an ability to fake their way through unfamiliar territory, and respond to the unpredictable demands of their audience—whether an unexpected gang of polka fanatics or a tipsy father of the bride with an obscure favorite song.
“Do You Know . . . ?” dishes out entertaining stories and sharp insights drawn from the authors’ own experiences and observations as well as interviews with a range of musicians. Faulkner and Becker’s vivid, detailed portrait of the musician at work holds valuable lessons for anyone who has to think on the spot or under a spotlight.
發表於2024-11-08
"Do You Know...?" 2024 pdf epub mobi 電子書 下載
圖書標籤: sociology music E
一些可能互不相識,從未一起演奏過的音樂傢卻能聚在一起(酒吧裏,婚禮上等)完成一場演齣,這是如何發生的?本書以此為切入口,研究瞭爵士樂的“常備麯目”。既有細緻入微的經驗描述,也有在此基礎上的理論升華,尤其是“常備麯目”一詞,更被作者放在米德和布魯默的社會學傳統中,反對文化的決定觀。
評分一些可能互不相識,從未一起演奏過的音樂傢卻能聚在一起(酒吧裏,婚禮上等)完成一場演齣,這是如何發生的?本書以此為切入口,研究瞭爵士樂的“常備麯目”。既有細緻入微的經驗描述,也有在此基礎上的理論升華,尤其是“常備麯目”一詞,更被作者放在米德和布魯默的社會學傳統中,反對文化的決定觀。
評分一些可能互不相識,從未一起演奏過的音樂傢卻能聚在一起(酒吧裏,婚禮上等)完成一場演齣,這是如何發生的?本書以此為切入口,研究瞭爵士樂的“常備麯目”。既有細緻入微的經驗描述,也有在此基礎上的理論升華,尤其是“常備麯目”一詞,更被作者放在米德和布魯默的社會學傳統中,反對文化的決定觀。
評分一些可能互不相識,從未一起演奏過的音樂傢卻能聚在一起(酒吧裏,婚禮上等)完成一場演齣,這是如何發生的?本書以此為切入口,研究瞭爵士樂的“常備麯目”。既有細緻入微的經驗描述,也有在此基礎上的理論升華,尤其是“常備麯目”一詞,更被作者放在米德和布魯默的社會學傳統中,反對文化的決定觀。
評分一些可能互不相識,從未一起演奏過的音樂傢卻能聚在一起(酒吧裏,婚禮上等)完成一場演齣,這是如何發生的?本書以此為切入口,研究瞭爵士樂的“常備麯目”。既有細緻入微的經驗描述,也有在此基礎上的理論升華,尤其是“常備麯目”一詞,更被作者放在米德和布魯默的社會學傳統中,反對文化的決定觀。
"Do You Know...?" 2024 pdf epub mobi 電子書 下載