Ben Yagoda is a journalism professor in the English department at the University of Delaware. He is the author of Will Rogers: A Biography; When You Catch an Adjective, Kill It; The Sound on the Page; The Art of Fact; and About Town: The New Yorker and the World It Made. His articles have appeared in Slate, The Chronicle of Higher Education, The New York Times Book Review, Stop Smiling, and other publications. Yagoda lives in Swarthmore, Pennsylvania, with his wife and two daughters.
From a critically acclaimed cultural and literary critic, a definitive history and analysis of the memoir.
From Saint Augustine's Confessions to Augusten Burroughs's Running with Scissors, from Julius Caesar to Ulysses Grant, from Mark Twain to David Sedaris, the art of memoir has had a fascinating life, and deserves its own biography. Cultural and literary critic Ben Yagoda traces the memoir from its birth in early Christian writings and Roman generals' journals all the way up to the banner year of 2007, which saw memoirs from and about dogs, rock stars, bad dads, good dads, alternadads, waitresses, George Foreman, Iranian women, and a slew of other illustrious persons (and animals). In a time when memoir seems ubiquitous and is still highly controversial, Yagoda tackles the autobiography and memoir in all its forms and iterations. He discusses the fraudulent memoir and provides many examples from the past梐nd addresses the ramifications and consequences of these books. Spanning decades and nations, styles and subjects, he analyzes the hallmark memoirs of the Western tradition桼ousseau, Ben Franklin, Henry Adams, Gertrude Stein, Edward Gibbon, among others. Yagoda also describes historical trends, such as Native American captive memoirs, slave narratives, courtier dramas (where one had to pay to NOT be included in a courtesan's memoir). Throughout, the idea of memory and truth, how we remember and how well we remember lives, is intimately explored.
Yagoda's elegant examination of memoir is at once a history of literature and taste, and an absorbing glimpse into what humans find interesting梠ne another.
發表於2025-01-06
Memoir 2025 pdf epub mobi 電子書 下載
閱讀過鐵血宰相俾斯麥的迴憶錄《思考與迴憶》的讀者,大概會被文中極端保皇派陳舊的思想,馬基雅維利式的警句,口述中紛亂復雜的外交手法,以及時不時跳脫原文敘事節奏展開臆想攻擊政敵的自我感慨而繞得雲裏霧裏。但正是這種主觀意識無比強大的文字中,我們卻可以從中尋找到自...
評分讀罷本書,給我的感覺主要是有趣,從古羅馬時代開始到現當代,作者把其認為重要的迴憶錄大緻介紹瞭一遍,有點獵奇的意思,個人覺得把書名叫做《一份關於自傳、迴憶錄的書單》說不定更閤適。 說到“僞裝”,我想大部分這類書的讀者可能並不在意作者有沒有說謊,筆者的個人故事情...
評分我一直覺得自己是不愛看迴憶錄和傳記的人,畢竟我的喬布斯傳買瞭八年還停留在十頁的進度。但其實按照這本書的定義,我看的不 少書都算是迴憶錄,例如去年大熱的《你當像鳥飛往你的山 》,《鄉下人的悲歌》和《我是個媽媽,我需要鉑金包》等等。 果然,迴憶錄和傳記撐起瞭美國非...
評分閱讀過鐵血宰相俾斯麥的迴憶錄《思考與迴憶》的讀者,大概會被文中極端保皇派陳舊的思想,馬基雅維利式的警句,口述中紛亂復雜的外交手法,以及時不時跳脫原文敘事節奏展開臆想攻擊政敵的自我感慨而繞得雲裏霧裏。但正是這種主觀意識無比強大的文字中,我們卻可以從中尋找到自...
評分閱讀過鐵血宰相俾斯麥的迴憶錄《思考與迴憶》的讀者,大概會被文中極端保皇派陳舊的思想,馬基雅維利式的警句,口述中紛亂復雜的外交手法,以及時不時跳脫原文敘事節奏展開臆想攻擊政敵的自我感慨而繞得雲裏霧裏。但正是這種主觀意識無比強大的文字中,我們卻可以從中尋找到自...
圖書標籤: 非小說類 社會學 傳記
Memoir 2025 pdf epub mobi 電子書 下載