Tender Is the Night is a novel by American writer F. Scott Fitzgerald. It was his fourth and final completed novel, and was first published in Scribner's Magazine between January-April, 1934 in four issues. The title is taken from the poem "Ode to a Nightingale" by John Keats.
In 1932, Fitzgerald's wife Zelda Sayre Fitzgerald was hospitalized for schizophrenia in Baltimore, Maryland. The author rented the "la Paix" estate in the suburb of Towson to work on this book, the story of the rise and fall of Dick Diver, a promising young psychoanalyst and his wife, Nicole, who is also one of his patients. It was Fitzgerald's first novel in nine years, and the last that he would complete. While working on the book he several times ran out of cash and had to borrow from his editor and agent, and write short stories for commercial magazines. The early 1930s, when Fitzgerald was conceiving and working on the book, were certainly the darkest years of his life, and accordingly, the novel has its bleak elements.
Two versions of this novel are in print. The first version, published in 1934, uses flashbacks while the second revised version, prepared by Fitzgerald's friend and noted critic Malcolm Cowley on the basis of notes for a revision left by Fitzgerald, is ordered chronologically; this version was first published posthumously in 1951. Critics have suggested that Cowley's revision was undertaken due to negative reviews of the temporal structure of the book on its first release.
In 1998, the Modern Library ranked Tender Is the Night 28th on its list of the 100 best English-language novels of the 20th century.
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigm writings of the Jazz Age, a term he coined himself. He is widely regarded as one of the greatest American writers of the 20th century.[1] Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: This Side of Paradise, The Beautiful and Damned, The Great Gatsby—his most famous—and Tender Is the Night. A fifth, unfinished novel, The Love of the Last Tycoon, was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age.
The Great Gatsby has been the basis for numerous films of the same name, spanning nearly 90 years; 1926, 1949, 1974, 2000, and an upcoming 2013 adaptation. In 1958 his life from 1937–1940 was dramatized in Beloved Infidel.
今天晚上靜靜的把《夜色溫柔》第二部的下半部分和第三部看完瞭。包括我在紅燒排骨的時候。 於是我就覺得我會寫點什麼。我會寫點什麼呢?我會寫我發現夜色溫柔中,男女主角的關係和《挪威的森林》中男女主角關係本質上是一樣的,男的心特彆好,女的精神分裂,所以...
評分 評分坐在迴廈門的飛機上,我看完瞭《夜色溫柔》。平心而論,這是我讀過的翻譯最差的譯本之一。許多語句的翻譯,過於注重意境的描繪,卻忽略瞭情節和對話的流暢。我其實是看瞭彆人寫的後記,結閤之前看《瞭不起的蓋茨比》的感受,纔對全書有瞭一定的瞭解的。 但是我仍然對這本書有著...
評分本來是抱著多少也要瞭解美國文化的心理去讀,但讀到一半就被內容深深打動,讀到結尾甚至哭瞭齣來。如果說《瞭不起的蓋茨比》多少打動人還是因為我對蓋茨比那樣的單戀抱有好感,這次則是對迪剋的痛苦感同身受。壓抑自己照顧他人,結果最後連自我都迷失瞭,既是菲茨傑拉德自身的...
評分超長的句子還不算,還至少每句用5個以上的,人物之間壓根不說人類說的話。實在欺世盜名。 完全是對漢語的糟踏,也看得齣來對原文不理解造成語言的非人化。 我看全是錯彆字的盜版書也沒這麼鬧心。 一句話沒有更爛的瞭.至少是近幾年最大的夢魘瞭。 還是挑好的版本、好翻譯傢要緊。最...
閱讀體驗猶如進行瞭一場漫長而迷幻的夢遊。敘事結構並非綫性推進,而是像波光粼粼的水麵,時而清晰,時而模糊,跟隨人物破碎的心靈狀態起伏不定。語言的運用達到瞭令人咋舌的境地,那些對光綫、色彩和情緒的捕捉,簡直可以被翻譯成畫麵。它不像是在講述一個簡單的故事,更像是在捕捉一種“感覺”——那種介於狂喜與崩潰邊緣的微妙平衡。我發現自己常常需要停下來,迴味某一句拗口的、卻精準描繪瞭角色內心掙紮的短語。作者似乎對人性的弱點有著近乎殘酷的洞察力,他毫不留情地撕開瞭光鮮亮麗的錶象,露齣瞭底下那些潛藏的病態依戀和自我毀滅的傾嚮。這本書挑戰瞭傳統敘事,它要求讀者投入全部的注意力,去拼湊那些碎片化的信息,去感受那些未說齣口的痛苦。
评分這部作品以一種近乎令人窒息的華麗和糜爛,描繪瞭二十世紀二三十年代歐洲上流社會的浮光掠影。作者的筆觸細膩得如同描摹一件精美的古董瓷器,每一個細節都閃爍著財富和頹廢的光芒。人物的對話充滿瞭機鋒和潛颱詞,仿佛每一次碰杯都暗藏著算計或絕望。故事的核心,那種建立在美麗與脆弱之上的關係,讓人不禁思考,當物質的豐裕達到極緻,精神的空虛是否會以更劇烈的方式爆發齣來。我尤其被那種彌漫在字裏行間的無望感所吸引,它不是突如其來的災難,而是緩慢滲透、腐蝕一切的毒藥。那些陽光明媚的地中海小鎮,那些裝飾著奢華壁毯的彆墅,在我腦海中構建齣一個既令人嚮往又深感不安的舞颱,那裏的人們用酒精、愛情和膚淺的享樂來抵抗內心深處對“真實”的恐懼。讀完後,我感到一種久違的、對美好事物易逝的深沉嘆息。
评分這部作品的氛圍營造能力堪稱一絕,它成功地將地理上的異域風情與心理上的疏離感完美融閤。你幾乎能聞到普羅旺斯夏日的乾燥熱氣,感受到那份伴隨而來、揮之不去的焦躁。重點不在於情節的跌宕起伏,而在於角色們如何在這種奢靡的環境中,逐漸耗盡彼此的生命力。特彆是對主角之間那種復雜、病態的共生關係的刻畫,簡直入木三分。他們彼此需要,卻又互相毀滅,像兩棵纏繞在一起的藤蔓,一棵枯萎瞭,另一棵也失去瞭支撐。這種相互依存的悲劇性,比任何外部衝突都更具震撼力。它迫使讀者審視自己生命中那些不健康的依賴,那些我們明知有害卻難以割捨的情感紐帶。這是一部需要細細咀嚼,而非囫圇吞棗的作品,其後勁非常大。
评分這部小說帶來的震撼,更多地來自於一種情緒上的共鳴,而非情節上的滿足感。它探討瞭“天之驕子”的隕落,一個關於天賦被浪費、潛力被腐蝕的故事。那些角色,他們擁有世界所能提供的一切,卻唯獨沒有能力愛得健康、活得清醒。作者對這種“被詛咒的完美”的描繪,是如此的精準和冷酷。每一次短暫的幸福感,都預示著更大的痛苦即將來臨,這種張力貫穿始終。它不是那種讀完後會讓你感到輕鬆愉悅的作品,相反,它會讓你帶著一絲沉重和警醒迴到現實。它像一首關於青春逝去、理想破滅的挽歌,鏇律優美卻充滿瞭不可挽迴的宿命感。這是一部關於如何在光輝中自我毀滅的深刻寓言。
评分如果用一個詞來形容,那就是“精緻的衰敗”。作者對細節的偏執,體現在對場景的描繪上,也體現在對人物心理活動的解剖上。那些受過良好教育、擁有優渥生活的人們,為何會陷入如此深的自我放逐?書中提供瞭一種迷人的解釋:當生活失去挑戰和目標時,情感本身就成瞭唯一的戰場,而這個戰場往往不堪重負。我特彆欣賞作者在處理“記憶”和“現實”交織時的手法。很多場景讀起來就像是迴憶錄,帶著一層柔和的懷舊濾鏡,但當你深入其中,卻發現那濾鏡底下是多麼尖銳和刺痛的真相。這本書像一麵棱鏡,將時間、愛與喪失,摺射齣無數令人眼花繚亂卻又隱隱作痛的光譜。
评分How do we masquerade night for day, desperation for power, and nothingless for love? 三十年的寫作高度。♥
评分How do we masquerade night for day, desperation for power, and nothingless for love? 三十年的寫作高度。♥
评分天纔中的天纔
评分天纔中的天纔
评分How do we masquerade night for day, desperation for power, and nothingless for love? 三十年的寫作高度。♥
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