Triumph and Erosion in the American Media and Entertainment Industries

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出版者:Praeger
作者:Dan Steinbock
出品人:
頁數:348
译者:
出版時間:1995-03-30
價格:USD 119.95
裝幀:Hardcover
isbn號碼:9780899309149
叢書系列:
圖書標籤:
  • 媒體産業
  • 娛樂産業
  • 美國文化
  • 媒體研究
  • 娛樂研究
  • 産業變革
  • 媒體經濟學
  • 文化研究
  • 大眾傳媒
  • 商業曆史
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具體描述

How did the American media and entertainment industries decline from their global ascendancy after World War II to their present condition of instability and uncertainty? How will trends in the delivery of information affect their future? These are some of the questions Steinbock asks in this comprehensive, thoroughly researched analysis. Starting with a description of shifts in the U.S. economy and ending with the coming revolution in U.S. media and entertainment--attributable to government policies, strategic alliances, and technological convergence-- Steinbock's book is no less than a Baedeker to all facets of these interlocked industries, and a provocative critique to their stengths and weaknesses in the world economy. Media and entertainment professionals will find Steinbock's views challenging and cautionary. For academics in schools of communication, the book will be a necessary source of history, data, and analysis. In the mid-1980s, America lost its global economic leadership. The information revolution has added to uncertainty. Despite the coming electronic superhighways, the future remains clouded in the American media and entertainment industries. Steinbock's comprehensive, thoroughly researched analysis is no less than a Baedeker to all facets of these interlocked industries, and a provocative critique of their strengths and weaknesses in the world economy. The book opens with a discussion of the American economy and its macro-affects on media and entertainment, vis-a-vis the twin deficit, a stock market dominated by institutional investors, troubled banking industry, deregulation and antitrust policies, as well as the fourth national mergers and acquisition wave. In Part I, Steinbock looks at broadcasting (tv, radio) and cable (basic and pay, pay-per-view, home shopping), exploring the former's winding fortunes and the latter's consolidation. Then, he moves to examine the Hollywood studios and talent agencies and their market multiplication: theatrical exhibition, home video and syndication, theme parks, toys, video games, licensed merchandise, record and music industry, newspapers, magazines, and books, as well as interactive multimedia, from CD-ROM to virtual reality. Each industry analysis inludes a full section devoted to all major corporate players, from networks (Capital Cities/ABC, General Electric/NBC, Loews Corp./CBS) and cable operators (TCI, Viacom, Turner) to the studios (Time Warner, Paramount, Disney, News Corp., Sony, and Matsushita). In Part II, Steinbock discusses the coming electronic superhighways and government-initiated policies that have already had a significant impact on strategic alliances (direct broadcast satellites, computers, Baby Bells, and long distance carriers). The book concludes with an assessment of how the technological, economic, and political convergence is dramatically remolding the media, entertainment, computer, and telco industries, not only in the U.S. but throughout the world.

這本書深入探討瞭美國媒體和娛樂行業的演變曆程,以及它們在文化、社會和商業層麵所産生的深遠影響。內容豐富且結構清晰,全麵分析瞭這些領域從早期發展到當代的多重挑戰與機遇。在書中,主要研究者詳細解析瞭媒體機構的運作模式,揭示其在信息傳播、公眾輿論塑造以及商業利益之間的復雜關係。書中不僅關注傳統媒體的發展,還廣泛涉及數字化轉型帶來的新問題,如社交媒體平颱對內容創作和受眾互動方式的重構。 作者通過大量曆史數據和具體案例,展示瞭美國媒體與娛樂産業如何在不斷變化的社會環境中調整策略,以應對技術革新、政策變化以及公眾需求的轉變。書中特彆強調瞭行業內部權力結構的演變,包括新聞機構與娛樂公司之間的閤作與衝突,以及內容生産方式從單嚮傳播嚮互動交流的轉變。這些方麵都得到瞭深入探討,為讀者提供瞭一個全麵而細緻的視角。 書中還對當代問題進行詳實的分析,例如媒體所有權集中化趨勢、內容審查政策的變化、以及公眾對多元文化與多樣性的需求不斷提升。在這一過程中,作者強調瞭成功適應時代變遷的重要性,同時也提醒讀者在消費和傳播信息時要保持批判思維。書中通過豐富的學術引用和實證研究,充分展示瞭內容的可信度與權威性。 此外,這本書還特彆關注瞭娛樂産業對社會文化的塑造作用,包括其對身份認同、價值觀念以及社會議題的影響。這部分內容幫助讀者理解媒體和娛樂行業不僅是信息傳播的渠道,更是文化和思想交流的重要平颱。書中提供瞭多種視角的論述,使讀者能夠從多個層麵深入思考這一復雜而動態的領域。 總的來說,作者通過係統、詳細且具有洞察力的寫作方式,為讀者呈現瞭一部關於美國媒體與娛樂産業的權威探討。書中的內容不僅涵蓋瞭曆史背景,還緊跟最新的發展趨勢,幫助讀者全麵理解這一領域的復雜性和重要性。這本書適閤對傳播學、文化研究以及社會科學感興趣的人士閱讀,並為相關研究提供瞭寶貴的參考資料。

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