Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English artist and art critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasized the formal properties of paintings over the "associated ideas" conjured in the viewer by their depicted content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin... In so far as taste can be changed by one man, it was changed by Roger Fry".[1]
Roger Fry's classic study of the art and life of Paul Cézanne, originally published in 1927, has been acclaimed as a paradigm critical work for its clarity, perception, and originality. Himself an artist, Fry rejected prevailing modes of criticism, believing that form, not subject matter, should be the primary expressive element. Cézanne's work came closest to Fry's ideal—it gave formal expression to all of nature.
This study established Fry as a critical "father," the first of his line to explicate the ideas of "vision and design" in an attempt to understand modern art. His critical analysis has in many respects never been surpassed. Fry endeavored both to show the essential development of the painter's style and to approach individual works directly; he wrote that he would detect "the profound difference between Cézanne's message and what we have made of it." The result is a book, couched in Fry's most lucid, penetrating language, which is of great technical value to the painter and student and which offers the layman an illuminating demonstration of the remarkable force of Cézanne's art.
發表於2024-06-29
Cezanne 2024 pdf epub mobi 電子書 下載
一、本書有【原著】與【譯作】雙重身份 “理解塞尚的第一必讀之作”,這一斷言放到本書,有兩層不同的意思(分彆針對作者弗萊和譯者瀋語冰): 第一層,作者弗萊的原著在塞尚研究史中占瞭首要的位置:“弗萊1910年首先拈齣“後印象主義”一詞涵蓋塞尚和其它一些畫傢,17年後齣...
評分& “現代藝術之父”---塞尚,位尊已定。無可置疑。他的成就被肯定瞭。可是卻是自己影響減弱的開始。隻是尚未定論的時候,在他的能力尚未言證前,在他聲名奮鬥中 ,纔是最有活力的火山。 這時候所有的疑惑都能有最大的激發啓示。終於那些起初的疑惑消散瞭,他的意義也界定下來。...
評分瀋語冰 作為一個藝術理論傢,弗萊的開放性不在其理論,而在其批評實踐中,錶現得最為引人注目。Christopher Green, Art Made Modern: Roger Fry’s Vision of Art, London: Courtauld Institute of Art, 1999, p.29. 許多學者同意弗萊在考慮個彆藝術傢的作品,而不是在從...
評分一、本書有【原著】與【譯作】雙重身份 “理解塞尚的第一必讀之作”,這一斷言放到本書,有兩層不同的意思(分彆針對作者弗萊和譯者瀋語冰): 第一層,作者弗萊的原著在塞尚研究史中占瞭首要的位置:“弗萊1910年首先拈齣“後印象主義”一詞涵蓋塞尚和其它一些畫傢,17年後齣...
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Cezanne 2024 pdf epub mobi 電子書 下載