德雷剋‧賈曼（Derek Jarman 1942—1994），畫傢、詩人，電影導演，獨立製片人，同性戀權益活動傢，被公認為20世紀（1945年後）英國最重要的視覺藝術傢。賈曼的成長背景與他的同性戀意識形成鮮明的對立與衝突，他極具創造力及非凡的勇氣和毅力，尤其在發現自己身患艾滋病後，他變得更加率真和桀驁不遜。其創作領域非常寬泛，在三十餘年的創作生涯中，以繪畫與視覺藝術作品為主，包括油畫、拼貼藝術、錄像藝術、電影；立體設計方麵有裝置藝術、舞颱設計以及電影場景設計；文字創作方麵有電影劇本、與影片拍攝相關之日記、劄記與迴憶錄等。主要電影作品：《塞巴斯蒂安》、《慶典》、《卡拉瓦喬》、《英倫末日》、《戰爭安魂麯》、《花園》、《愛德華二世》、《維特根斯坦》、《藍色》等。

Iconoclastic and controversial filmmaker Derek Jarman’s candid journals

“Epiphanies infuse Modern Nature, Derek Jarman’s diaries from 1989 to 1990, with their ebullient evocations of gardening. For Jarman, planting flowers at his wind- and sea-blasted cottage and then reciting their names (endlessly, passionately) becomes sex, becomes the fullness he’s on his way to leaving as he grows sicker from AIDS.” —Village Voice Literary Supplement

“The pace of Jarman’s life as chronicled in Modern Nature is unpredictable. In more energetic moments, Jarman cruises the public parks, makes a film without a script (The Last of England, 1987), and attempts to get Matt Dillon’s heartbeat for a project. He plants saxifrage and sea kale. He starts taking AZT. When Jarman discovered he was seropositive, he set himself a goal: to disclose his status and survive Margaret Thatcher. These he has done with aplomb.” —Artforum

“Courageous stuff.” —Kirkus Reviews

“Modern Nature is a wonderful essay in decorative evasion. . . . The twenty months Jarman covers are filled with artful flashbacks to his childhood, earlier film career, and homosexual history. Few frontline details about the life, work, and daily thoughts of the director of Sebastiane, Caravaggio, and The Garden have been left out.” —Financial Times

One of England’s foremost filmmakers, Derek Jarman (1942–1994) wrote and directed several feature films, including Sebastiane, Jubilee, Caravaggio, and Blue, as well as numerous short films and music videos. He was a stage designer, artist, writer, gardener, and an outspoken AIDS and queer rights activist in the United Kingdom and the United States. He wrote several books, among them At Your Own Risk and Chroma, forthcoming from the University of Minnesota Press.