This work examines the dramatic changes in America women's comedy performance in the years 1955-1995.The study focuses on the standup of Phyllis Diller and Roseanne andon the character comedy of Lily Tomlin. As the historical arc of women's comedy unfolds, it outlines a change from the traditional vaudevillian style of standup, as represented by Diller (50s-70s), to a more satiric comedy represented by Tomlin (60s-80s) and Roseanne (80s-90s).
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害行吧。不太同意作者的有些观点。comedy ain't a weapon, people laugh because they agree with you already.
评分害行吧。不太同意作者的有些观点。comedy ain't a weapon, people laugh because they agree with you already.
评分害行吧。不太同意作者的有些观点。comedy ain't a weapon, people laugh because they agree with you already.
评分害行吧。不太同意作者的有些观点。comedy ain't a weapon, people laugh because they agree with you already.
评分害行吧。不太同意作者的有些观点。comedy ain't a weapon, people laugh because they agree with you already.
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