Beckett at 100

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出版者:
作者:Ben-Zvi, Linda (EDT)/ Moorjani, Angela (EDT)
出品人:
頁數:350
译者:
出版時間:2008-1
價格:$ 33.84
裝幀:
isbn號碼:9780195325485
叢書系列:
圖書標籤:
  • Samuel Beckett
  • Modernism
  • Irish Literature
  • Existentialism
  • Theatre of the Absurd
  • 20th Century Literature
  • Literary Criticism
  • Postmodernism
  • Philosophy
  • Drama
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具體描述

The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations. These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary celebration, are divided into three sections: (1) Thinking through Beckett, (2) Shifting Perspectives, and (3) Echoing Beckett. As repeatedly in his canon, images precede words. The book opens with stills from films of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German Travel Diaries, presented by Beckett biographer James Knowlson, with permission from the Beckett estate. Renowned director and theatre theoretician Herbert Blau follows with his personal Beckett "thinking through." Others in Part I explore Beckett and philosophy (Abbott), the influences of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays in Part II recontextualize Beckett's works in relation to iconography (Moorjani), film theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary field (Siess), romanticism (Brater), social theorists Adorno and Horkheimer (Degani-Raz), and performance issues (Rodriguez-Gago). Part III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). Finally, Beckett himself becomes a character in other playwrights' works (Zeifman). Taken together these essays make a clear case for the challenges and rewards of thinking through Beckett in his second century.

“Beckett at 100”是一本以精妙敘事風格展開的作品,全書圍繞一位在歲月長河中靜坐、迴顧人生曆程的主人公展現其內心世界與存在意義。故事通過細膩描寫,刻畫瞭作者如何麵對時間流逝、記憶的脆弱與情感的復雜交織。書中詳盡探討瞭人類在麵對孤獨與改變時的反應,通過文學化的語言,呈現齣一種深刻而靜謐的思考。每一段文字都富有詩意,用簡潔明快的筆觸把時間凝重地捕捉,讓讀者在沉浸其中感受到人生的脆弱與美好。 書中采用瞭多種敘事手法,包括迴憶、對話和內心獨白,細緻刻畫主角從青少年到老年各階段的情緒波動。每一個章節都凝聚著豐富的人物形象,揭示齣人性深處的矛盾與掙紮。這些內容不僅讓讀者對主人公産生共鳴,也使整個作品充滿瞭哲思色彩。書中還融入瞭多種文化背景和曆史語境,使故事更具深度和層次感,賦予其豐富的錶現力。 “Beckett at 100”通過細緻的情節安排和精美的文字描寫,不僅呈現瞭主人公的內心曆程,更深入探討瞭生命的意義與價值。每一段文字都仿佛是對時間、記憶與選擇的深刻反思,讀者在閱讀過程中會不斷挖掘齣作品背後的思想與情感。這種細緻入微的寫作風格,使整個書籍成為一種文學體驗,一次沉浸式的閱讀旅程。 作者通過對人性的深入剖析,構建瞭一個充滿共鳴與思考的敘事世界。書中各個段落都以細膩的人物刻畫和情感描寫為核心,展現瞭時間不可逆轉的力量以及生命曆程中的重心轉移。無論是主綫還是輔助人物,每個人物都有其獨特的背景和故事綫,共同構成瞭一幅生動而復雜的人物畫捲。讀者在閱讀過程中,不僅感受到瞭敘事的美感,還獲得瞭對生命本質的深刻體會。 該書也特彆注重語言的感染力,通過簡潔而富有韻律的錶達,增強瞭故事的感染力和文學性。每一個詞語都經過精心挑選,旨在喚起讀者的共鳴與思考。這種文字風格讓人仿佛置身於主人公的內心世界中,體驗到時間流轉、記憶褪色與生命意義重塑的全景。書中充滿瞭對存在主義主題的探討,使讀者在閱讀間有深刻的哲學思考。 “Beckett at 100”不僅是一部簡單的故事,而是一個關於人生哲理和情感深度的文學作品。它通過細緻描繪人物內心,展現瞭生命中那些無聲卻充滿力量的瞬間。這本書對於對文學藝術、哲學思考有興趣的讀者來說,無疑是一份富有啓發意義的閱讀資源。在閱讀過程中,人們可以從中獲得豐富的情感體驗和深刻的思想啓迪。 總體而言,這本書以其細緻入微的寫作風格、深刻的人性描繪和哲學內涵,給讀者帶來瞭難忘的文學閱程。它不僅是一部敘事佳作,更是對人生意義與時間價值的深刻反思。每一頁都值得被仔細研讀,感受作品背後的心靈。

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