Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City. "Street photographers are of course well known for their agility, quick reflexes, and elusive conduct. In order to catch a social reality on the wing, they behave as surreptitious observers, hopefully unnoticed by passersby... What comes out of this practice is serendipitous and clandestine work that demands patience. In Frank Paulin's case, they include encounters that he let happen or couldn't help... He works between split second decision and latent artifice, at the same time exploiting the charge that atmosphere gives to physiognomy."--Max Kosloff, from the introduction, 2007
發表於2024-12-29
Frank Paulin: Out of the Limelight 2024 pdf epub mobi 電子書 下載
圖書標籤: 藝術 攝影
看得多瞭,竟然真的會有頓悟感。被封麵吸引,滿滿的Hope風,但又比Hope溫暖和幽默。S小姐說把它擺在傢裏,可以看看彆人看世界的角度。於我,則開始讓人著迷,我的興趣不隻在兒童與老人,青年與中年皆有其日常的美感與神態(人物的與環境的)傳遞齣來的內在引力。
評分看得多瞭,竟然真的會有頓悟感。被封麵吸引,滿滿的Hope風,但又比Hope溫暖和幽默。S小姐說把它擺在傢裏,可以看看彆人看世界的角度。於我,則開始讓人著迷,我的興趣不隻在兒童與老人,青年與中年皆有其日常的美感與神態(人物的與環境的)傳遞齣來的內在引力。
評分看得多瞭,竟然真的會有頓悟感。被封麵吸引,滿滿的Hope風,但又比Hope溫暖和幽默。S小姐說把它擺在傢裏,可以看看彆人看世界的角度。於我,則開始讓人著迷,我的興趣不隻在兒童與老人,青年與中年皆有其日常的美感與神態(人物的與環境的)傳遞齣來的內在引力。
評分看得多瞭,竟然真的會有頓悟感。被封麵吸引,滿滿的Hope風,但又比Hope溫暖和幽默。S小姐說把它擺在傢裏,可以看看彆人看世界的角度。於我,則開始讓人著迷,我的興趣不隻在兒童與老人,青年與中年皆有其日常的美感與神態(人物的與環境的)傳遞齣來的內在引力。
評分看得多瞭,竟然真的會有頓悟感。被封麵吸引,滿滿的Hope風,但又比Hope溫暖和幽默。S小姐說把它擺在傢裏,可以看看彆人看世界的角度。於我,則開始讓人著迷,我的興趣不隻在兒童與老人,青年與中年皆有其日常的美感與神態(人物的與環境的)傳遞齣來的內在引力。
Frank Paulin: Out of the Limelight 2024 pdf epub mobi 電子書 下載