All the Living

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出版者:
作者:Morgan, C. E.
出品人:
页数:208
译者:
出版时间:2009-3
价格:$ 25.99
装帧:
isbn号码:9780374103620
丛书系列:
图书标签:
  • 小说
  • 奇幻
  • 末日
  • 生存
  • 冒险
  • 科幻
  • 反乌托邦
  • 黑暗
  • 神秘
  • 人性
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具体描述

One summer, a young woman travels with her lover to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As Orren works to save his family farm from drought, Aloma struggles with the loneliness of farm life and must find her way in a combative, erotically-charged relationship with a grieving, taciturn man. A budding friendship with a handsome and dynamic young preacher further complicates her growing sense of dissatisfaction. As she considers whether to stay with Orren or to leave, she grapples with the finality of loss and death, and the eternal question of whether it is better to fight for freedom or submit to love."All the Living "has the timeless quality of a parable, but is also a perfect evocation of a time and place, a portrait of both age-old conflicts and modern life. It is an ode to the starve-acre Southern farm, the mountain landscape, and difficult love. In her lyrical and moving debut novel, C.E. Morgan recalls both the serenity of Marilynne Robinson and the shifting emotional currents and unashamed eroticism of James Salter. It is an unforgettable book from a major new voice. C.E. Morgan studied English and voice at Berea College and holds a master's in theological studies from Harvard Divinity School. She lives in Kentucky. One summer, a young woman travels with her lover to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As Orren works to save his family farm from drought, Aloma struggles with the loneliness of farm life and must find her way in a combative, erotically-charged relationship with a grieving, taciturn man. A budding friendship with a handsome and dynamic young preacher further complicates her growing sense of dissatisfaction. As she considers whether to stay with Orren or to leave, she grapples with the finality of loss and death, and the eternal question of whether it is better to fight for freedom or submit to love."All the Living "has the timeless quality of a parable, but is also a perfect evocation of a time and place, a portrait of both age-old conflicts and modern life. It is an ode to the starve-acre Southern farm, the mountain landscape, and difficult love. In her lyrical and moving debut novel, C.E. Morgan recalls both the serenity of Marilynne Robinson and the shifting emotional currents and unashamed eroticism of James Salter. It is an unforgettable book from a major new voice. " "All the Living"] is a first novel, and the writing is simply astonishing. It is the writing of a much older author. Descriptions of the landscape of the rural South remind a reader of Willa Cather. The characters' utter lack of a sense of entitlement calls to mind Charlotte Bronte's "Jane Eyre.""--Susan Salter Reynolds, "Los Angeles Times" "A first novel so self-assured and unto itself, so unswerving in its purpose, so strummed through with a peculiar, particular, electrifying sound, that I found myself reading in a state of highest perplexity, and also gratitude and awe . . . "All the Living" is a novel about the hardest things--about grief and lonesomeness, about desiring much and staying true, about loving through and forgiveness. It's a novel that makes you think on all of that anew, and that spares nothing and no one in the process."--Beth Kephart, "Chicago"" Tribune" "Rarely in this reviewer's memory has a debut novel emerged with such a profound sense of place as C. E. Morgan's "All the Living." As the story unfolds, descriptions are so vivid, yet so integrated and organic, that the reader can almost feel the lassitude of stifling humid air, smell the rich, warm earth, and see the furrowed fields, the dark mountains in the distance. The level of poetic detail makes "All the Living" a slow, seductive dive into another time and place, a deep, quiet place foreign to the frantic pace of contemporary urban life."--Karen Campbell, "The Boston Globe" "This lovely little book is] one readers] will be able to enter, be caught up by and remember. Morgan's prose is enchanting from the outset, its descriptions fresh, its cadences biblical. It is also fiercely inventive . . . Some readers will take deep satisfaction in the turn Aloma's path takes by novel's end. Others will grieve. But I doubt they'll soon forget her story--its setting, its way of life--seamless as haunting music."--Joan Frank, "San Francisco Chronicle" "Morgan writes with assurance and moral seriousness. Future novels could put the Harvard theological graduate in the company of Gail Godwin or even Marilynne Robinson as one of the rare writers who can combine religion and fiction without sacrificing either."--Yvonne Zipp, "The Christian Science Monitor ""A ghostly tobacco farm in 1980s Kentucky is the Faulknerian setting for C.E. Morgan's vibrantly sensual debut, "All the Living," about a young pianist torn between two men, both haunted by the past."--"Vogue""As I read the opening pages of "All The Living" I was suddenly no longer in my study but gazing out at the leafy tobacco plants of a small Kentucky farm where a young couple are struggling to make their living, and their lives. In seemingly effortless prose, C.E. Morgan captures both the complexity and the simplicity of Orren's relentlessly hard work and Aloma's dangerous drift towards another man. A wonderful debut."--Margot Livesey, author of ""The House on Fortune Street """Lack is everywhere in "All the Living." Lack of rain, lack of cash, lack of other, less tangible things. From the first pages of C. E. Morgan's gripping, sensual debut novel, the contemporary Kentucky countryside sprawls into view . . . On this haunted background, Morgan paints a lush portrait of love in a bleak landscape . . . Morgan at once probes and tempers this privation in rich, poetic prose. She knows the land and her characters in minute detail and sets them forth with startling, lyric certainty . . . Morgan attended divinity school, and there is a sense of conjuring i

《尘封的记忆》 导言 这是一个关于追寻、遗忘与救赎的故事。故事发生在一个被时间遗忘的小镇,一个关于家族秘辛、个人成长以及在迷雾中寻找真相的旅程。在那些被岁月尘封的记忆深处,隐藏着一段不为人知的过去,它像一条潜伏的河流,静静地流淌,却时刻影响着当下。 第一章:回响 故事的开端,是一封来自遥远亲戚的信,它像一颗投入平静湖面的石子,激起了层层涟漪。信中提到了一栋久未有人居住的老宅,以及一些零碎的、关于早已离世的祖母的传闻。主人公艾莉亚,一个在都市喧嚣中过着按部就班生活的年轻女子,忽然感到一股莫名的吸引力,一种来自血脉深处的召唤。她决定放下手中的一切,前往那个她只在儿时模糊记忆中留有印象的小镇——奥克伍德。 奥克伍德,一个坐落在群山环抱中的古老村落,空气中弥漫着泥土和松针的气息。这里的时光似乎比外界流逝得更慢,老旧的房屋、斑驳的石板路,都诉说着历史的痕迹。艾莉亚抵达时,迎接她的是一片宁静,仿佛整个村庄都沉睡在岁月的怀抱里。那封信指向的老宅,坐落在镇子边缘,一座被藤蔓缠绕、窗户蒙尘的独立建筑。推开吱呀作响的大门,一股陈旧而独特的霉味扑面而来,夹杂着一丝淡淡的、难以名状的香气,那是她童年记忆中祖母身上特有的味道。 老宅内部,家具陈设依然停留在多年前,仿佛主人只是短暂地离开。阁楼上的旧箱子里,堆满了泛黄的照片、信件,以及一些她从未见过的旧物。艾莉亚开始小心翼翼地翻拣,试图从这些零碎的物件中拼凑出关于祖母的过往。她祖母,一位在村子里颇受尊敬但又有些神秘的女性,在艾莉亚心中一直是一个模糊的形象。她只记得祖母的笑容,以及她手中总是摆弄着的、精美的刺绣。 在整理过程中,她发现了一本日记,字迹娟秀,但有些篇章已模糊不清。日记记录了祖母年轻时的一些生活片段,以及她对一个名叫“塞拉斯”的男子的深情。艾莉亚的心头涌上一丝好奇,她的祖母,竟然有过这样一段不为人知的恋情?然而,日记的后面,似乎笔锋一转,字里行间充满了压抑和不安,直到一些页码被撕去,留下了空白的、令人费解的断痕。 第二章:迷雾 随着对日记和老宅物件的深入探究,艾莉亚逐渐发现,关于祖母的过往,似乎被一层厚厚的迷雾笼罩着。镇上的老人们对祖母的话题总是讳莫如深,他们用含糊其辞的眼神和简短的回答来回应艾莉亚的询问。他们会提及祖母的善良和勤劳,但对于她晚年的一些经历,则显得尤为避讳。 艾莉亚开始注意到一些细微的线索。她发现,在老宅的某个角落,隐藏着一幅褪色的画,画中是祖母和一位年轻男子,男子英俊而深邃,正是日记中提到的塞拉斯。画的背面,用铅笔写着一行小字:“永远的承诺,永恒的等待。”这让艾莉亚更加确信,祖母的生命中,曾经有一个至关重要的人,一段深埋的情感。 她试图从镇上的历史资料中寻找线索。在镇图书馆尘封的档案室里,她找到了一些关于奥克伍德早年的记录。她发现,在祖母年轻的那个年代,奥克伍德曾经发生过一件轰动一时的事情,一件与一次意外事故有关的事件。一些报纸上的报道语焉不详,只提及了几名年轻人的参与,以及随之而来的悲剧。艾莉亚隐约觉得,这件事故,可能与她的祖母和塞拉斯有关。 与此同时,她发现自己在这个宁静的小镇上,似乎并不孤单。总有人在暗中观察她,在她探寻真相的过程中,一些阻碍也悄然出现。她发现老宅的门锁被撬动过,某些被她翻阅过的物件似乎被动过手脚。这种莫名的敌意,让她感到不安,也更加坚定了她要解开谜团的决心。 她开始主动与镇上一些愿意开口的老人交流,他们中的一些人,在艾莉亚的真诚和坚持下,终于愿意透露一些只言片语。一位老妇人告诉她,祖母年轻时曾和一位叫塞拉斯的年轻画家相爱,塞拉斯才华横溢,却命运多舛。在一次意外中,塞拉斯失踪了,而那次事故,也给祖母带来了巨大的打击。老妇人还暗示,塞拉斯的失踪,并非单纯的意外。 第三章:真相的碎片 随着调查的深入,艾莉亚逐渐拼凑出一段被刻意掩埋的往事。塞拉斯,一位充满激情的画家,与艾莉亚的祖母真心相爱。然而,他们的爱情,却遭到了家族的反对。塞拉斯出身贫寒,而祖母的家族在镇上拥有一定的地位。更重要的是,塞拉斯似乎卷入了一场关于土地纠纷的事件中,而这起事件,牵扯到镇上一些有权势的人物。 一次突如其来的意外,让塞拉斯从众人的视野中消失。那是一次在附近山区进行的采风活动,参与者中除了塞拉斯,还有其他几位年轻人。事故的官方说法是山体滑坡,但一些细节却令人起疑。事后,塞拉斯被宣告失踪,而祖母从此变得沉默寡言,精神备受打击。 艾莉亚在老宅的一个隐秘角落,找到了一幅未完成的画作。画中的内容,竟然是塞拉斯在描绘一次秘密的会面,画面中出现了几个模糊的人物,他们正在交易着什么,而其中一个人物的身影,竟然与镇上某位德高望重的老人有些相似。这让艾莉亚意识到,塞拉斯的失踪,很可能是一场蓄意的谋杀,而他,很可能是发现了某个不为人知的秘密。 她继续深入调查,发现祖母在塞拉斯失踪后,曾经试图寻找真相,但她发现的力量,远远超出了她的承受范围。镇上某些人,为了维护自身的利益,极力掩盖真相,甚至不惜以毁掉一个年轻的生命和一段美好的爱情为代价。祖母为了保护自己,也为了保护可能存在的、塞拉斯留下的证据,只能选择沉默和遗忘。 在老宅的一个隐藏的抽屉里,艾莉亚发现了一个小小的木盒,里面放着一枚精致的胸针,以及一张写着遗言的纸条。纸条是塞拉斯写给祖母的,他倾诉着自己被诬陷和追杀的遭遇,以及他已经发现了那个涉及多人的巨大阴谋。他请求祖母相信他,并告诉她,他已经将证据藏在了某个地方,等待有人能够发现。 第四章:和解与新生 当艾莉亚将所有的线索串联起来时,她对祖母的过去有了更深的理解。祖母的沉默,并非怯懦,而是为了保护自己,也是为了等待一个能够揭开真相的时机。那些被撕去的日记页码,是她痛苦的回忆,那些隐匿的物件,是她试图保留的希望。 她终于明白,为何镇上有些人会对她保持警惕。他们害怕过去被揭露,害怕那些被掩埋的罪恶再次浮出水面。但艾莉亚认为,真相,无论多么痛苦,都应该被揭示。 她找到了那个曾经与塞拉斯一同参与过那次采风活动、但幸存下来的老人。在艾莉亚的耐心沟通和证据面前,老人终于坦白了当年的真相。塞拉斯并非死于山体滑坡,而是被那些为了掩盖贪腐证据而设下的陷阱所害。他的失踪,是一场精心策划的谋杀。 然而,对于凶手,老人的记忆已经模糊,他只记得那是一个关于利益和背叛的故事。艾莉亚知道,追究当年的凶手已经变得困难,但她更希望的是,通过揭示真相,让那些曾经的受害者得到安宁,也让镇子从过去的阴影中走出来。 她决定将她所找到的证据,以及她所了解到的真相,以一种温和的方式呈现给小镇的居民。她并非为了报复,而是为了让历史得到公正的审视。她用日记、信件、画作,以及那位老人的证词,讲述了一个关于爱情、背叛与坚守的故事。 镇上的人们,在最初的震惊和不安后,逐渐开始理解艾莉亚。那些曾经的罪恶,虽然无法抹去,但被公之于众,也为小镇带来了一种新的开始。人们开始重新审视自己的过去,也开始反思,是什么让曾经的奥克伍德,蒙上了如此深的阴影。 艾莉亚在整理老宅时,还发现了一封塞拉斯的信,他详细描述了他将一些重要证据藏匿的地点,他相信,终有一天,真相会大白。艾莉亚顺着塞拉斯的指示,在一个隐藏的山洞里,找到了他保存的一些文件,这些文件,进一步证实了当年涉及的贪腐事件。 故事的结局,并非是激烈的复仇,而是一种深刻的和解。艾莉亚帮助镇上的居民,用一种积极的方式,去面对那段沉重的历史。她鼓励人们去拥抱未来,去创造属于自己的、没有阴影的新生活。 艾莉亚最终选择留在奥克伍德,她决定修复好老宅,让它不再是尘封记忆的象征,而是新生和希望的开始。她也明白,有些记忆,即使带来了痛苦,但它们也塑造了我们,让我们更加坚强,也更加懂得珍惜。尘封的记忆,终将被阳光穿透,而那些曾经失去的,也将在新的生命中得以延续。奥克伍德,这个被时间遗忘的小镇,终于在艾莉亚的到来后,迎来了一缕新的生机。

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