Confessional literature stretches beyond autobiography and overlaps every literary genre. It is eminently dramatic and always performative, it is a hopeful crying out in response to crisis, and a plea for reconciliation with community. It is an individual's private admission of guilt or a community's open plea for mercy, an auricular-ocular confession, and a pervasive human activity that is both heard and seen. This study introduces two major theoretical perspectives that have been consistently overlooked: the performance nature of confession, and the incorrect classification of confession as only a subset of autobiography. As this book demonstrates, confession is not always autobiographical but is always performative.
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有